In the studio on Calle Palma, a series of visitors stepped physically “between the quotation marks,” offering their bodies as temporary punctuation within an ongoing reflection on presence, collaboration, and relational sculpture. Each person transformed the space simply by standing there—framed, held, suspended—turning the studio into a living grammar of encounters. The gesture was minimal yet charged: to inhabit the marks was to acknowledge the porous line between author and collaborator, between image and witness. The works remain active because their energy persists in those silent contributions, a reminder that certain encounters continue to shape the practice long after the moment has passed.
