The aerial view of my studio in Kikinda captures a temporary landscape of objects, tools, and the yellow bag that became my flag throughout that week-long residency. While other artists worked on monumental terracotta sculptures, I edited videos and explored the micro-geographies of the workspace, letting the table surface act as a map of process and attention. Every object became a coordinate, every movement a small intervention. Working alongside Danino Bozic added another layer of dialogue, turning the studio into a shared field of experimentation. The composition, seen from above, reads like a fragment of lived practice—portable, provisional, and intensely present.
