Territories as Battlefields: The essay opens with the idea that every piece of land is a potential stage for political reflection on social production. The landscape serves as a metaphor for contemporary society. The Life of Objects: The artists repurpose discarded materials, turning them into an installation in a rural environment. This action prompts reflection on the evolving condition of nature and the concept of landscape itself. Landscape as Theater: The seemingly innocuous landscape becomes a stage for political action through the collection and staging of local household objects. The work challenges perceptions of beauty, engaging with the mundane to generate visual delight. Bioethical Thought: Bobrikova and De Carmen's decade-long engagement in the social-political scene is highlighted. The artists initiate a machinery of thought, exploring the intersections of capital, landscape, and territory. Ethical considerations and the redefinition of societal concepts are encouraged. Still Life: Objects placed in the landscape activate reflective thinking, questioning the relationship between human behavior and the natural environment. The transformed landscapes prompt inquiries about the changing nature of nature itself. The Acts: The official opening of the piece results in the destruction of the installation, raising questions about the responsibility for the art and its impact on nature. The Attitude: The audience's awareness of how to handle the life of objects is discussed. Postproduction as a symbolic field allows for the animation and reordering of objects, emphasizing the importance of reading facts rather than judging behaviors. The Social Political Field: The action-installation integrates into both physical and social territories, turning the landscape into a post-landscape. Deviating the trajectory of objects is viewed as a political act, sparking reflections on the ethics and aesthetics of the work. Ecosophical Motivations: The essay concludes by discussing the piece's confrontation with the natural and unnatural, urging a reevaluation of daily actions and ethical-political transformations in the face of a global crisis. The work is seen as a transdisciplinary opera in search of wisdom for harmonious coexistence-. In summary, the essay delves into the multifaceted layers of Bobrikova and De Carmen's work, providing a comprehensive exploration of the artistic, political, and ethical dimensions embedded in the installation.
DECONSTRUCTING AN EXPLICIT CONTEXT