During a scorching day in a Zagreb residency, the clothes worn in the studio—torn, stained, exhausted—became the work themselves. Fixed onto the museum floor and punctured to hold their final shape, the garments were transformed from functional fabric into a sculptural imprint of labour, heat, and duration. What began as daily wear turned into an artifact of process, a material testimony of weather, exhaustion, and commitment. This “elegant and brutal” series has continued across more than nine hundred cuts, each one a small incision into the boundary between body and trace, between what is used and what remains.