Constellations of precarious matter, light, and image. Her intricate installations—assemblages of everyday objects, projections, scaffolding, and fragments—suggest systems perpetually on the verge of collapse or becoming. In Sze’s practice, time materializes as spatial event: the digital and the analog, the monumental and the ephemeral, coexist in a choreography of dispersion. Her works are not representations but living ecosystems of information, testing how we perceive, locate, and lose ourselves in the overwhelming flux of contemporary life.