:::::::::::::::::::::::::: Anto Lloveras

The conceptual framework known as Socioplastics, developed by Anto Lloveras, advances a decisive inversion in the hierarchy of spatial practice: architecture is no longer treated primarily as a representational craft but as epistemic infrastructure capable of organising knowledge, perception, and social interaction. Within this paradigm, artefacts—whether architectural structures, itinerant objects, pedagogical devices, films, or textual fragments—function not as autonomous artworks but as operational nodes embedded within a distributed system of spatial inquiry. Their purpose is not aesthetic coherence but systemic intelligibility, achieved through a recursive grammar of numbering, recurrence, and cross-referencing that converts dispersed interventions into a navigable conceptual terrain.