The archive assembled under the designator SOCIOPLASTICS presents not a portfolio but a detection apparatus. The 840 series functions as a distributed sensor array, registering contact with institutional surfaces across twenty-five years and multiple disciplinary territories. What becomes visible through this array is not the trajectory of an individual practitioner but the morphology of a field condition. The MVRDV architectural credits, the COAM registry entries, the ORCID identifier, the Lagos Biennial participant list, the Contextile textile talks, the Redescena performance catalogue, the Acción Cultural Española memory document—each operates as an independent coordinate fixing a point of external verification. Taken together, they describe a pattern of movement that cannot be assimilated to conventional career narration. The pattern is too dispersed, too indifferent to disciplinary boundaries, too consistent in its production of institutional friction. This is not a line but a lattice. The lattice reveals that persistence across heterogeneous domains generates a specific kind of mass: not the gravitational mass of the canonical text that bends all subsequent discourse toward its axis, but a distributed mass that operates through structural redundancy. The work does not concentrate in a single attractor basin. It disperses across multiple basins simultaneously, achieving resilience through multiplication of verification regimes.
