What began in 2009 as a weekly mutation in a Madrid living room—a domestic laboratory where art was not exhibited but lived, where each Thursday brought a new series and each gesture was documented as relational evidence—has, fifteen years later, reconstituted itself as LAPIEZA-LAB: a sovereign, self-governing university of thought, complete with persistent identifiers, machine-readable metadata, and a closed-loop epistemic architecture. This is not a simple evolution. It is a stratigraphic inversion. The trajectory from EXIT (node 001) to COPOS (node 2200) traces the transformation of experimental relational art into explicit research infrastructure, and in that transformation lies the project's singular contribution to contemporary practice.
