TRA(D)ICIONES

1747, 1748, 1749,

1750, 1751, 1752, 1753, 

1754, 1755, 1756, 1757, 1758, 1759,

1760, 1761, 1762, 1763, 1764, 1765, 1766, 1767, 

1768, 1769, 1770, 1771, 1772, 1773, 1774, 1775, 1776, 

1777, 1778, 1779, 1780, 1781, 1782, 1783, 1784, 

1785, 1786, 1787, 1788, 1789, 1790, 1791, 

1792, 1793, 1794, 1795, 1796, 

1797, 1798, 1799.

Amidst the turbulences from 1747 to 1799, the arrow delves into the essence of betrayal and instability. The art reflects the era's profound sense of disillusionment, where promises of progress and freedom often gave way to deceit and upheaval. The narrative of broken trust and shifting allegiances unfolds, capturing the fragile and transient nature of human relations in times of great change, revealing the ephemeral and precarious fabric of societal bonds.

SOCIOPLASTICS BY LLOVERAS

LAPIEZA RELATIONAL ART SERIES 152

15TH SEASON 2024 

PRAKSIS

https://www.praksisoslo.org/residencieslist/r27-partyasform

 

FIRE STATION OSLO 2020

URBAN PLANNING OSLO /// The piece of architecture proposed within the transformation plans of the port area of ​​Greater Oslo is inspired by the architectural piece ‘Oslo Rådhuset’ by the architects Arnstein Arneberg og Magnus Poulsson. An architecture inspired by classical orders apprehending modernity. Simple large-scale volumes and play of masses and gaps _____ TRANSFORMATION OF THE PORT AREA /// Within the Transformation of the Port Area we play to find a new iconic value in relation to the well-known architectures of the Oslo Opera House by Snøhetta, Munch Museet I Oslo by Estudio Herreros and Deichmanska Biblioteket by Lund Hagem. The white stone of Carrara marble hinting at the Norwegian Opera Mountains, the slanting of the Blacksmiths Tower emphasizing the Nordic values ​​of respect and the public centrality of the Lund Hagem library. We want to contribute a classic icon in dialogue with the architects of Greater Oslo, we want to add Orders, a set of orders linking with tradition. Volumes, masses and gaps respecting the human dimensions of the room ______ HOUSE IN THE HOUSE OF THE FIREFIGHTERS /// Nordic Domesticity and the idea of ​​the house as a cultural key will go through the ideas of the building. Labor law and its democratization, the public function will be accented with materials within the Nordic tradition, qualities and local construction techniques linked to the tradition of Norwegian tectonic art ______ SUSTAINABILITY ENERGY POWERHOUSE /// Powerhouse produce more spend less. Thermodynamic insulation. Wood.

FRAMING THE LANDSCAPE _________________FREDRIK LUND

ART BY FREDRIK LUND

http://lapiezalapieza.blogspot.com.es/2015/04/framing-landscape-fredrik-lund-norway.html

http://studiofredriklund.blogspot.com.es/

LAPIEZA

We walk randomly around the center of Oslo, we transit through gorgeous architectural scenarios. The center of the Norwegian artscene shows a mixture of romanticism and ratioanalism. We stop at Littertuurhuset for a coffee, lots of smiles and people enjoying great food. We walk up the hill to check The Vigeland park and down again to visit to museum of architecture designed by Sverre Fehn, the only norwegian pritzker Price. We walk around models and installations, where cool emerging norweigina architects under 40 show their latest ideas. Fredrik Lund was twice represented in this show, before he reached his forties, a unique case. We walk the streets again buying ice creams and sparkling water, walking along the Oslo government buildings and arrived at the harbor, next to the Snøhetta studio. We smoke by the water and talk about the current works. A day later, we are traveling together across the country, passing my mythical mountains, and stopping for dinner at the most traditional restaurants, tasting the moose and deer burgers by the national road, across the great park of Rondane. The dinner saloon is very old fashioned, we sit surrounded by stuffed weasels. As we leave the area, we stop briefly at the concrete architecture by his colleague Carl Viggo Holmebakk, and catch the amazing views to he mountains we will soon be crossing. Already in the city of Trondheim, we visit Fredriks artist's atelier at the NTNU, here he developes his professorship in architectural teachings, teaching as art. We know Fredrik now for ten years. Fredrik loves to visit Madrid, and to spend hours at the Reina Sofia Museum, studying the spanish masters in abstractions from the sixties. We have travelled to Cuenca together, where there is also a great collection of Spanish abstract painters, all surrounded by amazing landscapes, Fredriks main inspiration for his art. The fresh air and the view. Just by framing the view the whole architectural concept has started, and that is the potential of the architecture of Lund, the empathy with the surroundings and the absolute control of the human activity that will happen inside the wooden walls. We are now ready to make dinner, another daily ritual, where Fredrik acts as guardian of the wonders of hot potatoes with butter and several fresh fish on a warm pan. While we eat in silence, we understand the ritual.

VANDALS_______________________________INTERNATIONAL RESIDENCE FOR NOMAD ARTISTS____________________________________OSLO NORWAY 11.2015____________________LAPIEZA

IM GLAD TO BE THE FIRST RESIDENT
WITH OSCAR DE CARMEN AND MARTINA BOBRIKOVA
AT THEIR BRAND NEW INTERNATIONAL RESIDENCE PROGRAM 
FOR NOMAD ARTISTS

SALADS AND FLOWERS

24.11.15

I HAVE ALREADY ENJOYED THEIR WORKS IN TRONDHEIM 

KITCHEN DIALOGUES - LAPIEZA ART SERIES 61 STRUCTURAL CONVERSATIONS

AND IN PRAGUE - 

BED AND BREAKFAST - AT QUADRENNIAL POF PERFORMANCE - 

LAPIEZA WILD FLOWERS

+++++++

http://lapiezalapieza.blogspot.com.es/2015/09/wild-flowersexhibition-746th-season.html

LAPIEZA ////////// 1000

EXHIBITION #75 THE WORD

2016              *****

VIKING MUSEUM_________________________BURIALS_________OSLO_________________________10.2015

the museum content is mostly black. the boats are black. the whole idea of space orbitates around the three boats. each one taking a wing of the cross shaped plan. the storytelling on the boards is simple and old. i miss some smell. some water. some songs. the idea of the viking giving honors in rituals and burials to the epic women is good concept. the boats are powerfull sculptures. the vitrines with objecs are not so great. only small heads and tools. the crosses on the walls are great. two of them. like flags of war. 

the ship burials. from the oslo fjord area. excavated between 1854 and 1904. the three ships had been at sea for several years before they were pulled ashore and used as burial ships. the dead were placed in burial chambers buil onboard the ships. the dead were buried with generous supplies, animals, and a large number of objects, both functional and decorative.