Weighing only 12 kilos and standing 250 cm tall, it’s a portable piece that defies conventional sculpture concepts. It explores themes of identity and transformation, highlighting the relationship between the human body and the surrounding space.
Showing posts with label LAPIEZA ART SERIES. Show all posts
Showing posts with label LAPIEZA ART SERIES. Show all posts
Sunday, October 11, 2026
Sheman TransHumanoid is an ultralight sculpture and performance artwork.
Friday, October 9, 2026
LA LUZ EN CÁDIZ ________________12.2023 ***** 01.2024 ______LAPIEZA 1728 1736 ___ ART SERIES 149
Desde su antigüedad fenicia y romana hasta la influencia árabe que le dio su nombre, ha sido testigo de eventos significativos, como la Batalla de Tarifa en 1294, que marcó un cambio en el control de la región. Su posición estratégica como el punto más meridional de la Europa continental ha influido en su desarrollo, destacándose por el Castillo y su papel como puerto comercial y pesquero a lo largo de los siglos. En tiempos más recientes, Tarifa ha florecido como destino turístico, especialmente conocido por sus playas.
Friday, January 2, 2026
RELATIONAL TAG COLLAGES__________HIPERVÍNCULOS 266-300___________EXPANDING CLOUD /////////////////////////////////////////// 02.2015
FROM PHYSICAL TO VIRTUAL
>
DEL LOTE AL TAG - 2011 - 2015
http://antolloveras.blogspot.com.es/2014/09/lotes-socioplasticos.html
TAG COLLAGES
BY
ANTO LLOVERAS
WITH ARTWORKS
BY ARTISTS ASSOCIATED TO LAPIEZA
http://lapiezalapieza.blogspot.com.es/
Thursday, January 1, 2026
MONOCROMÍAS ENDÉMICAS ________________ Endemic Monochromes: Urban Chromatic Intensities and the Hyperplastic Gaze ______ 2013
The series Endemic Monochromes articulates an urban chromatic synthesis where the city emerges not only as a physical environment but as a living, vibrating matrix of monochromatic intensities, captured and ordered through a procedural and fragmentary installation strategy that derives from the intersection of three key series developed between 2012 and 2013: first, the synthetic reduction of TWINS, a dispersed multiform installation in which the city itself becomes an immense hyperplastic entity, condensed through dual-image modules captured in cities such as London, Madrid, Marseille, Nice, Basel, Berlin and Mexico City; second, the radical use of the urban object as monochrome unit, extending prior experiments in LAPIEZA and performative collaborations with Paula Lloveras into dynamic, moving-image contexts; third, the application of the 12X file matrix, previously explored in the FILMADOS and HIPERVÍNCULOS series, serving here as a structural and conceptual chassis. The visual result is a dense grid of double frames, where everyday objects, walls, wires, pipes, flowers, clothes or oranges are captured in meticulous pairs, echoing and multiplying the affective power of colour beyond its decorative function. These “sociochromatic particles” are not isolated aesthetic events but autonomous agents in an unstable composition, embedded in the fluctuating plasticity of urban life, where repetition, symmetry and variation generate silent rhythmic dialogues. As in COPOS, the camera operates like a spoon, gathering chromatic fragments that are then serialised, displayed and recombined as open, non-linear series. Monochromy functions here as a method of condensation and focus, revealing the overlooked tonal consistencies in public space and treating the city not as a neutral background but as a saturated sensorium. Each captured object, each twin image, suspends the ordinary, converting mundane surfaces into intense chromatic statements. The installation’s latent modularity allows for infinite expansion and rearrangement, where each visual unit retains autonomy while entering in tension with others, forming a hyperplastic topography of hue, mass and proximity. Ultimately, Endemic Monochromes proposes a critical shift from the documentary gaze to a socio‑plastic lens, where the politics of perception are refracted through the pulse of colour itself.
Lloveras, A. (2014) Monocromías Endémicas: Síntesis Hiperplástica e Intersección. LAPIEZA Art Series.
https://antolloveras.blogspot.com/2014/01/monocromias-endemicas-sintesis.html
Las MONOCROMÍAS ENDÉMICAS
resultan de la intersección de tres SERIES previas.
(1) Reducción sintética de la serie TWINS, instalación multiforme dispersa, definida en dos fotogramas por elemento. Twins en una instalación total, que toma la ciudad como inmenso elemento hiperplástico. El proyecto de inicia en Londres en 2012, y ha añadido series en Madrid, Marsella, Niza, Basilea, Berlín y en la ciudad de México.
(2)
El uso de la ciudad como objeto MONOCROMO. Evolución del uso de los
objetos autónomos monocromos presentados tanto en su forma de
instalación en LAPIEZA como en sus forma dinámica junto con Paula Lloveras en videos urbanos.
La cromática dispersa de la ciudad se condensa en esta instalación seriada. Cada partícula suma a la instalación. Al igual que en la serie COPOS, la cámara es la cuchara que recoge los fragmentos, que se ordenan y se posicionan en series abiertas. La monocromía en las instalaciones es una forma latente desde 2010, donde cada objeto inestable en la instalación procesual es una autonomía. Su relación con el resto de piezas es un diálogo de peso y forma.
NODES
001-TOPO-URBANISM:
002-TOPO-ARCHITECTURE:
003-TOPO-RESEARCH:
004-TOPO-TEACHING:
005-TOPO-ESSAYS:
006-TOPO-EXHIBITIONS:
007-TOPO-ART:
008-TOPO-SERIES:
009-TOPO-COLLECTIVES:
010-TOPO-FILMS:
MEAT * Unstable Installation Series * 2010 > ONGOING TAXIDERMY
Unstable Installation Series has evolved as a mobile sculptural practice that intervenes directly in the fragile mechanics of urban life. Each action consists of a precise cut carried out on an everyday object—chairs, signs, benches, temporary structures—removing a fragment in order to expose its internal architecture and redirect its presence within the city. The altered object remains in place, assuming a new identity as a silent, open-ended sculpture, while the extracted piece becomes an autonomous element that extends the work into installation, documentation, and spatial memory. Since 2010, every intervention has been numbered and photographed, generating an expanding archive that records not only the physical modifications but also the shifting atmospheres of the cities where they occur. This ongoing geography includes Madrid, London, Marseille, Berlin, Cádiz, Norway, the Balkans, Nigeria, and multiple other locations, creating a transurban constellation of subtle disruptions. Over time, the method has condensed into a minimal protocol: one deliberate gesture, one displacement, one new state of instability. The power of the series lies in its persistence and its ability to reveal the city as a mutable organism, continuously reconfigured through micro-transformations that operate at the scale of intimate material contact. As the sequence progresses toward its first thousand actions, MEAT — Unstable Installation Series intensifies its role as a socio-plastic archive that challenges conventional readings of public space. Each subtraction becomes a catalyst for observing how objects behave when their structural equilibrium is altered, how pedestrians react to the modified forms, and how the surrounding context absorbs or resists the intervention. The works accumulate without forming a fixed collection; instead, they exist as dispersed events that linger in photographs, fragments, and the living tissue of the city. Exhibitions in France, London, Spain, and Croatia have offered temporary constellations of the project, yet the primary stage remains the street, where each cut immediately enters the choreography of everyday movements. The series expands horizontally rather than hierarchically, allowing each action to contribute a distinct layer to the evolving narrative. Approaching the threshold of one thousand, the project stands at a moment of heightened tension, where longevity, precision, and conceptual clarity converge. What emerges is a portrait of urban space as a continuous negotiation between matter and gesture, permanence and fragility, intention and happenstance—a sustained exploration of how minimal physical interventions can reshape the emotional and structural perception of the environments we inhabit.
FIRST 100 WITH TAGS AND MULTICAST, FROM NUMBER 200 ON, SINGLE CUT
THE SUBTRACTED PIECES ARE DISPLAYED AS INSTALLATION
TOGETHER WITH THE MEMORY OF THE ACTION IN PHOTO AND VIDEO
PALINDROME 2014
EXHIBITION, FRANCE MAY
61 RASTRO
62 IBIZA
63 ECHEGARAY
64 PULA
65 POREC
66 COMENDADORAS
67 SANTA ENGRACIA
68 BRAVO MURILLO
69 ANDENES
70 SESIÓN 300 EL INTRUSO
71 MARISA
72 ATRAPANUBES
LONDON
85 http://tomototomoto.blogspot.com.es/2015/04/meat-85-limehose-090415-elegant.html
86 http://tomototomoto.blogspot.com.es/2015/04/meat-86-chaise-longue-paars-east-london.html
87 http://tomototomoto.blogspot.com.es/2015/04/meat-87-button-london-042015.html
88 http://tomototomoto.blogspot.com.es/2015/04/meat-88-soft-london-042015.html
89 http://tomototomoto.blogspot.com.es/2015/04/meat-89-yellow-and-pink-whitechapel.html
90 http://tomototomoto.blogspot.com.es/2015/04/meat-90-blue-poplar-blue-east-london.html
91 http://tomototomoto.blogspot.com.es/2015/04/meat-91-gallery-on-cornerlondon-2015.html
92 http://tomototomoto.blogspot.com.es/2015/04/meat-92-london-2015.html
93 http://tomototomoto.blogspot.com.es/2015/04/meat-93-london-all-saints.html
94 http://tomototomoto.blogspot.com.es/2015/04/meat-94-flag-london-2015-east-go-east.html
95 http://tomototomoto.blogspot.com.es/2015/04/meat-95-mile-end-equiltero-isosceles.html
96 http://tomototomoto.blogspot.com.es/2015/04/meat-96-5th-base-london-2015-brick-lane.html
097 http://tomototomoto.blogspot.com.es/2015/04/meat-97-side-street-mile-end-london.html
098 http://tomototomoto.blogspot.com.es/2015/04/meat-98-london-brick-lane-la-nuit.html
099 http://tomototomoto.blogspot.com.es/2015/04/meat-99-london-lights-2015-wounded.html
100 http://tomototomoto.blogspot.com.es/2015/04/meat-100-contract-terms-king-london.html
101 http://tomototomoto.blogspot.com.es/2015/07/meat-101-london-2015.html
102 http://tomototomoto.blogspot.com.es/2015/07/meat-102-red-red-london-2015.html
103 http://tomototomoto.blogspot.com.es/2015/07/meat-103-madrid-2015_9.html
104 http://tomototomoto.blogspot.com.es/2015/07/meat-104-madrid-052015.html
105 http://tomototomoto.blogspot.com.es/2015/07/meat-105-madrid-2015.html
106 http://tomototomoto.blogspot.com.es/2015/07/meat-106-madrid-2015.html
107 http://tomototomoto.blogspot.com.es/2015/07/meat-107-madrid-ambulancia.html
108 http://tomototomoto.blogspot.com.es/2015/07/meat-108-bar-madrid-equilatero-2015.html
EXHIBITION, APRIL 2016 LONDON
http://antolloveras.blogspot.com.es/2015/04/taxidermy-east-london-city-is-animal.html
ELIPSIS ::: COMPRESSION 2016
EXHIBITION, SPAIN AUGUST 2016
http://antolloveras.blogspot.com.es/2017/02/taxidermy-2016-subtractions-series.html
SERIES GO IN MADRID
AND WILL SHOW AT
ARTNATIONS http://artnations.blogspot.com.es
205 206 207 208
209 210 211 212
213 214 215 216
217 http://tomototomoto.blogspot.com.es/2017/01/meat-217-madrid-fuencarral-2017.html218http://tomototomoto.blogspot.com.es/2017/01/meat-218-madrid.html219http://tomototomoto.blogspot.com.es/2017/01/meat-219-madrid.html220http://tomototomoto.blogspot.com.es/2017/02/meat-220-madrid-2017.html221http://tomototomoto.blogspot.com.es/2017/02/meat-221.html222http://tomototomoto.blogspot.com.es/2017/02/meat-222.html223http://tomototomoto.blogspot.com.es/2017/02/meat-223.html224http://tomototomoto.blogspot.com.es/2017/02/meat-224.html225http://tomototomoto.blogspot.com.es/2017/02/meat-225.html226http://tomototomoto.blogspot.com.es/2017/02/meat-226.html227http://tomototomoto.blogspot.com.es/2017/02/meat-227-madrid.html228 http://tomototomoto.blogspot.com.es/2017/02/meat-228-urgel.html
229 230 231 232
233 234 235 236
237 238 239 240 MADRID 02.2017
241 http://tomototomoto.blogspot.com.es/2017/02/meat-241-madrid.html
242 http://tomototomoto.blogspot.com.es/2017/02/meat-242-madrid.html
243 http://tomototomoto.blogspot.com.es/2017/02/meat-243-madrid.html
244 http://tomototomoto.blogspot.com.es/2017/03/meat-244-madrid.html
245 http://tomototomoto.blogspot.com.es/2017/03/meat-245-madrid.html
246 http://tomototomoto.blogspot.com.es/2017/03/meat-246-247-madrid-santo-domingo-2017.html
247 http://tomototomoto.blogspot.com.es/2017/03/meat-246-247-madrid-santo-domingo-2017.html
248 http://tomototomoto.blogspot.com.es/2017/03/meat-248-madrid-2017.html
249 http://tomototomoto.blogspot.com.es/2017/03/meat-249-250-madrid-arnations.html
250 http://tomototomoto.blogspot.com.es/2017/03/meat-249-250-madrid-arnations.html
251 http://tomototomoto.blogspot.com.es/2017/03/meat-251.html
252 http://tomototomoto.blogspot.com.es/2017/03/meat-252.html
MARCH 2017 ____________________ THE CITY IS AN ANIMAL
253 254 255 256
257 258 259 260
261 262 263 264
265 266 267 268
269 270 271 272
273 274 275 276
277 278 279 280281 282 283 284
285 286 287 288 TWINS MÁLAGA
CUT 300 REACHED ::::::::::::::::::::::: APRIL 2017_________MADRID
ONGOING CITY CUTS
NEW SERIES 301 TO 312 CUT 01 MAY 2017 MADRID CENTER
313
324
325
336
MAY 2017 MADRID
=
337
348
JACKETS
349
360
MAY 2017 MADRID
JULY / 3RD SET IS READY TO SHOW
SOLO SHOW GALLERY RICO CROATIA
CURRENT UPDATES FOR THE UPCOMING 4TH TAXIDERMY
SEPTEMBER 2017
FEBRUARY 2019____NUMBER 731 !
BARBATE SPAIN
735 MADRID JUNE 2019
741 UDDEBO JULY 2019
S W A N
785
790
BROTH IS ONGOING NOW.
LAPIEZA
MOVEMENTS FOR AN UNSTABLE SYMPHONIC RITUAL
SERIES 120 - 1407-1415
SERIES 119 - 1398-1406
SERIES 118 - 1389-1397
SERIES 117 - 1380-1388
SERIES 116 - 1371-1379
SERIES 115 - 1362-1370
FRONTLINE
SPACESHIP
791 DECEMBER 2021
https://antolloveras.blogspot.com/2021/12/the-road-to-restorationfilm.html
792
January 2022
800
866 MADRID
MÁLAGA 871 2024
MÁÑAGA 948 2025
*
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