LLLL ART AGENCY * URBAN CONFORT MADRID
LAPIEZA UNSTABLE IDENTITY SERIES 2016
http://lapiezalapieza.blogspot.com.es/2013/03/urban-confort-paula-lloveras-madrid-2013.html
SOCIOPLASTICS
Showing posts with label UNSTABLE INSTALLATION SERIES. Show all posts
Showing posts with label UNSTABLE INSTALLATION SERIES. Show all posts
Tuesday, February 3, 2026
URBAN CONFORT * MADRID 2016 LLLL ___________LAPIEZA 1001 ARTNATIONS * MELAZA
LLLL ART AGENCY * URBAN CONFORT MADRID
LAPIEZA UNSTABLE IDENTITY SERIES 2016
http://lapiezalapieza.blogspot.com.es/2013/03/urban-confort-paula-lloveras-madrid-2013.html
Friday, January 2, 2026
House and Dome: Minimal Architecture as Conversational Sculpture ________ ZUCCATO GALLERY_______________ POREC CROATIA | A CONVERSATION WITH DANINO BOZIC____________CURATED BY JERICA ZIHERL
50% SHOW 50%
WITH DANINO BOZIC
A
CONVERSATION INSTALLATION
>
ISTRIA NEWS
KICK OFF
>
AFTER 2 YEARS
I COME BACK TO CROATIA
TO PLAY A NEW GAME IN A PALACE
AND
EXPAND THE
UNSTABLE INSTALLATION SERIES
ADDING COMPLEXITY TO THE CLOUD
WITH
LIGHT SOCIAL SCULPTURES
TAGS AND PAPER
CUTS AND INSTALLATIONS
TWINS AND UNSTABLE SETS
FILMS AND MEMORY
CONVERSATIONS
ARTSHOW
WITH DANINO BOZIC
CURATED BY JERICA ZIHERL
http://www.poup.hr/tekstovi/anto-lloveras-unstable-installations-đanino-božić-stable-installatons.aspx
Belonging to the Minimal Architecture Series, exemplifies an aesthetic of radical simplicity, where the structure is reduced to the most elemental gestures: lines of bamboo and threads barely outlining the memory of a shelter. What emerges is not a model of construction but a diagram of inhabitation, a fragile articulation between geometry and void. Its architectural vocabulary resists solidity; instead, it thrives on instability, exposing the precariousness of all spatial definitions. Presented within the context of the Unstable Installation Series at Zuccato Gallery in Poreč, Croatia, and in dialogue with Danino Bozic under the curatorial direction of Jerica Ziherl, the work functions as both installation and conversation. Here, architecture becomes performance, a medium for negotiation and encounter rather than permanence. The so-called “house” and “dome” are stripped of domestic promise, reduced to signs that hover between drawing and construction. In this way, they propose an architecture of thought rather than of habitation. What is particularly striking is how the work oscillates between the individual line and the collective cloud. The fragility of bamboo evokes nature, yet its alignment into minimal frames suggests the persistence of human order. The dome, historically a symbol of universality, is re-imagined here as an incomplete curve, an unfinished horizon of possibility. By refusing closure, the work resists the monumental and aligns itself with the ethos of unstable sculptures: structures that are not ends in themselves but occasions for dialogue, memory and shared experimentation. In this sense, House and Dome stages a tension between absence and presence, architecture and its erasure. It is not a shelter but a question, not an edifice but a notation, inviting viewers to imagine what could dwell in the voids between its minimal traces.
Thursday, January 1, 2026
MEAT * Unstable Installation Series * 2010 > ONGOING TAXIDERMY
Unstable Installation Series has evolved as a mobile sculptural practice that intervenes directly in the fragile mechanics of urban life. Each action consists of a precise cut carried out on an everyday object—chairs, signs, benches, temporary structures—removing a fragment in order to expose its internal architecture and redirect its presence within the city. The altered object remains in place, assuming a new identity as a silent, open-ended sculpture, while the extracted piece becomes an autonomous element that extends the work into installation, documentation, and spatial memory. Since 2010, every intervention has been numbered and photographed, generating an expanding archive that records not only the physical modifications but also the shifting atmospheres of the cities where they occur. This ongoing geography includes Madrid, London, Marseille, Berlin, Cádiz, Norway, the Balkans, Nigeria, and multiple other locations, creating a transurban constellation of subtle disruptions. Over time, the method has condensed into a minimal protocol: one deliberate gesture, one displacement, one new state of instability. The power of the series lies in its persistence and its ability to reveal the city as a mutable organism, continuously reconfigured through micro-transformations that operate at the scale of intimate material contact. As the sequence progresses toward its first thousand actions, MEAT — Unstable Installation Series intensifies its role as a socio-plastic archive that challenges conventional readings of public space. Each subtraction becomes a catalyst for observing how objects behave when their structural equilibrium is altered, how pedestrians react to the modified forms, and how the surrounding context absorbs or resists the intervention. The works accumulate without forming a fixed collection; instead, they exist as dispersed events that linger in photographs, fragments, and the living tissue of the city. Exhibitions in France, London, Spain, and Croatia have offered temporary constellations of the project, yet the primary stage remains the street, where each cut immediately enters the choreography of everyday movements. The series expands horizontally rather than hierarchically, allowing each action to contribute a distinct layer to the evolving narrative. Approaching the threshold of one thousand, the project stands at a moment of heightened tension, where longevity, precision, and conceptual clarity converge. What emerges is a portrait of urban space as a continuous negotiation between matter and gesture, permanence and fragility, intention and happenstance—a sustained exploration of how minimal physical interventions can reshape the emotional and structural perception of the environments we inhabit.
FIRST 100 WITH TAGS AND MULTICAST, FROM NUMBER 200 ON, SINGLE CUT
THE SUBTRACTED PIECES ARE DISPLAYED AS INSTALLATION
TOGETHER WITH THE MEMORY OF THE ACTION IN PHOTO AND VIDEO
PALINDROME 2014
EXHIBITION, FRANCE MAY
61 RASTRO
62 IBIZA
63 ECHEGARAY
64 PULA
65 POREC
66 COMENDADORAS
67 SANTA ENGRACIA
68 BRAVO MURILLO
69 ANDENES
70 SESIÓN 300 EL INTRUSO
71 MARISA
72 ATRAPANUBES
LONDON
85 http://tomototomoto.blogspot.com.es/2015/04/meat-85-limehose-090415-elegant.html
86 http://tomototomoto.blogspot.com.es/2015/04/meat-86-chaise-longue-paars-east-london.html
87 http://tomototomoto.blogspot.com.es/2015/04/meat-87-button-london-042015.html
88 http://tomototomoto.blogspot.com.es/2015/04/meat-88-soft-london-042015.html
89 http://tomototomoto.blogspot.com.es/2015/04/meat-89-yellow-and-pink-whitechapel.html
90 http://tomototomoto.blogspot.com.es/2015/04/meat-90-blue-poplar-blue-east-london.html
91 http://tomototomoto.blogspot.com.es/2015/04/meat-91-gallery-on-cornerlondon-2015.html
92 http://tomototomoto.blogspot.com.es/2015/04/meat-92-london-2015.html
93 http://tomototomoto.blogspot.com.es/2015/04/meat-93-london-all-saints.html
94 http://tomototomoto.blogspot.com.es/2015/04/meat-94-flag-london-2015-east-go-east.html
95 http://tomototomoto.blogspot.com.es/2015/04/meat-95-mile-end-equiltero-isosceles.html
96 http://tomototomoto.blogspot.com.es/2015/04/meat-96-5th-base-london-2015-brick-lane.html
097 http://tomototomoto.blogspot.com.es/2015/04/meat-97-side-street-mile-end-london.html
098 http://tomototomoto.blogspot.com.es/2015/04/meat-98-london-brick-lane-la-nuit.html
099 http://tomototomoto.blogspot.com.es/2015/04/meat-99-london-lights-2015-wounded.html
100 http://tomototomoto.blogspot.com.es/2015/04/meat-100-contract-terms-king-london.html
101 http://tomototomoto.blogspot.com.es/2015/07/meat-101-london-2015.html
102 http://tomototomoto.blogspot.com.es/2015/07/meat-102-red-red-london-2015.html
103 http://tomototomoto.blogspot.com.es/2015/07/meat-103-madrid-2015_9.html
104 http://tomototomoto.blogspot.com.es/2015/07/meat-104-madrid-052015.html
105 http://tomototomoto.blogspot.com.es/2015/07/meat-105-madrid-2015.html
106 http://tomototomoto.blogspot.com.es/2015/07/meat-106-madrid-2015.html
107 http://tomototomoto.blogspot.com.es/2015/07/meat-107-madrid-ambulancia.html
108 http://tomototomoto.blogspot.com.es/2015/07/meat-108-bar-madrid-equilatero-2015.html
EXHIBITION, APRIL 2016 LONDON
http://antolloveras.blogspot.com.es/2015/04/taxidermy-east-london-city-is-animal.html
ELIPSIS ::: COMPRESSION 2016
EXHIBITION, SPAIN AUGUST 2016
http://antolloveras.blogspot.com.es/2017/02/taxidermy-2016-subtractions-series.html
SERIES GO IN MADRID
AND WILL SHOW AT
ARTNATIONS http://artnations.blogspot.com.es
205 206 207 208
209 210 211 212
213 214 215 216
217 http://tomototomoto.blogspot.com.es/2017/01/meat-217-madrid-fuencarral-2017.html218http://tomototomoto.blogspot.com.es/2017/01/meat-218-madrid.html219http://tomototomoto.blogspot.com.es/2017/01/meat-219-madrid.html220http://tomototomoto.blogspot.com.es/2017/02/meat-220-madrid-2017.html221http://tomototomoto.blogspot.com.es/2017/02/meat-221.html222http://tomototomoto.blogspot.com.es/2017/02/meat-222.html223http://tomototomoto.blogspot.com.es/2017/02/meat-223.html224http://tomototomoto.blogspot.com.es/2017/02/meat-224.html225http://tomototomoto.blogspot.com.es/2017/02/meat-225.html226http://tomototomoto.blogspot.com.es/2017/02/meat-226.html227http://tomototomoto.blogspot.com.es/2017/02/meat-227-madrid.html228 http://tomototomoto.blogspot.com.es/2017/02/meat-228-urgel.html
229 230 231 232
233 234 235 236
237 238 239 240 MADRID 02.2017
241 http://tomototomoto.blogspot.com.es/2017/02/meat-241-madrid.html
242 http://tomototomoto.blogspot.com.es/2017/02/meat-242-madrid.html
243 http://tomototomoto.blogspot.com.es/2017/02/meat-243-madrid.html
244 http://tomototomoto.blogspot.com.es/2017/03/meat-244-madrid.html
245 http://tomototomoto.blogspot.com.es/2017/03/meat-245-madrid.html
246 http://tomototomoto.blogspot.com.es/2017/03/meat-246-247-madrid-santo-domingo-2017.html
247 http://tomototomoto.blogspot.com.es/2017/03/meat-246-247-madrid-santo-domingo-2017.html
248 http://tomototomoto.blogspot.com.es/2017/03/meat-248-madrid-2017.html
249 http://tomototomoto.blogspot.com.es/2017/03/meat-249-250-madrid-arnations.html
250 http://tomototomoto.blogspot.com.es/2017/03/meat-249-250-madrid-arnations.html
251 http://tomototomoto.blogspot.com.es/2017/03/meat-251.html
252 http://tomototomoto.blogspot.com.es/2017/03/meat-252.html
MARCH 2017 ____________________ THE CITY IS AN ANIMAL
253 254 255 256
257 258 259 260
261 262 263 264
265 266 267 268
269 270 271 272
273 274 275 276
277 278 279 280281 282 283 284
285 286 287 288 TWINS MÁLAGA
CUT 300 REACHED ::::::::::::::::::::::: APRIL 2017_________MADRID
ONGOING CITY CUTS
NEW SERIES 301 TO 312 CUT 01 MAY 2017 MADRID CENTER
313
324
325
336
MAY 2017 MADRID
=
337
348
JACKETS
349
360
MAY 2017 MADRID
JULY / 3RD SET IS READY TO SHOW
SOLO SHOW GALLERY RICO CROATIA
CURRENT UPDATES FOR THE UPCOMING 4TH TAXIDERMY
SEPTEMBER 2017
FEBRUARY 2019____NUMBER 731 !
BARBATE SPAIN
735 MADRID JUNE 2019
741 UDDEBO JULY 2019
S W A N
785
790
BROTH IS ONGOING NOW.
LAPIEZA
MOVEMENTS FOR AN UNSTABLE SYMPHONIC RITUAL
SERIES 120 - 1407-1415
SERIES 119 - 1398-1406
SERIES 118 - 1389-1397
SERIES 117 - 1380-1388
SERIES 116 - 1371-1379
SERIES 115 - 1362-1370
FRONTLINE
SPACESHIP
791 DECEMBER 2021
https://antolloveras.blogspot.com/2021/12/the-road-to-restorationfilm.html
792
January 2022
800
866 MADRID
MÁLAGA 871 2024
MÁÑAGA 948 2025
*
Subscribe to:
Posts (Atom)