From a place between ethnomethodology and choreography, a situational investigation is proposed, leading to a stage piece. The city is taken as a brutal and invincible entity. A choreography of images, texts, and specific positions emerges from a collection of photographs. The proposal is an investigative exercise that embraces the image and urban narrative as a backgroundless actor, with the director as a walker within an emotional space. The city contains a polyphonic voice resulting from the constant exhaling of bodies, objects, vehicles, and urban nature. Each visual and auditory scene is accompanied by a series of positional stances.
