miércoles, 29 de julio de 2015

TAXIDERMY_______________________________________EAST LONDON ::::::::::::::::::::::::::::::::::: THE CITY IS AN ANIMAL ......................................................................................UNSTABLE INSTALLATION SERIES................................................. 5TH BASE GALLERY ////////////////// LAPIEZA 940 INCISIONS & DISSECTIONS ------ 2015





TAXIDERMY 
THE CITY IS AN ANIMAL



AN EXHIBITION
BY 
ANTO LLOVERAS





UNSTABLE
INSTALLATION
SERIES 



5TH BASE GALLERY
EAST LONDON 2015





43 CUTS FROM 20 URBAN ANIMALS 






C O N T E N T




- COPOS = URBAN VIDEOART SERIES NOW AT NUMBER 477, 
ONGOING ONLINE MEMORY VIDEOCLOUD //////////////////// 

- MEAT = CUTOUTS FROM URBAN FURNITURE - LAST 20 NUMBERS ON DISPLAY, REACHING NUMBER 102. THE SERIES HAVE ALREADY BEEN EXHIBITED IN CROATIA, FRANCE, NORWAY AND BERLIN ///////////////////// 

-  URBAN RINGS URBAN KINGS, NOW PRESENTING THE RUBBER, TAKEN FROM CITY SURFACE, AND BACKED UP WITH THE 10.000 TWINS PHOTO-SERIES ////////////////////////// 

- SPREAD = UNSTABLE INSTALLATION SMALL ONBJECTS  ////////////////// 

MINMAL VALUE = URBAN COINS, LEFTOVERS AS TOTEM /////////////////////// 
MY LEGS = URBAN BODY SCULPTURE ////////////// 

- URBAN GREEN SERIES







ONLINE
TEASERS
/////////////////////////////////////////////////////////////////////////////////////////










En el huevo




Vivimos en un huevo.
Hemos cubierto su interior
de dibujos obscenos
y garrapateado los nombres de nuestros enemigos.
Nos están incubando.

Quienquiera que nos incube
incuba también nuestro lápiz.
Cuando rompamos la cáscara un día
nos haremos una idea
enseguida de quien nos incuba.

Suponemos que nos incuban.
Nos imaginamos un ave bonachona
y escribimos trabajos escolares
sobre colores y raza
de la gallina que nos incuba.

¿Cuándo romperemos la cáscara?
Nuestros profetas del interior del huevo
discuten, por un sueldo medianejo,
sobre el período de incubación.
Suponen un día X.

Por aburrimiento y necesidad auténtica
hemos inventado las incubadoras.
Nos preocupa mucho nuestra descendencia en el huevo.
Con gusto recomendaríamos nuestra patente
a quien nos guarda.

Tenemos un techo sobre nuestras cabezas.
Pollitos seniles,
embriones que saben idiomas,
hablan el día entero
y todavía discuten sus sueños.
¿Y si no nos incubaran?
¿Si nunca se hiciera un agujero en esta cáscara?
¿Si nuestro horizonte fuera sólo el horizonte
de nuestros garabatos y no dejara de serlo?
Confiamos en que nos incuban.

Aunque si hablamos sólo de incubaciones
hay que temer también que alguien,
fuera de nuestra cáscara, sienta hambre
y nos eche a la sartén, sazonándonos con sal...
¿Qué haremos entonces, mis hermanos de dentro del huevo?

GUNTER GRASS






MINMAL VALUE / JEWELS


VIDEOART 16:9 HD MULTISCREEN 
16MIN 32SEC





RELATED RECENT EXHIBITIONS

PALINDROME FRANCE 2104
LEMON KISS CROATIA 2014



TAXIDERMY
IS A PART OF LAPIEZA EXHIBITION #72
INCISIONS AND DISSECTIONS
LONDON 2015










HAVE A NICE DAY                   EAT SPARINGLY 



AND
LOVE LOVE







ANTO

domingo, 26 de julio de 2015

MIGAS------------------------------------------------------------------MADRID - 050515 - ARGÜELLES_________________________MARÍA ENRÍQUEZ.........LAPIEZA #943 EXFOLIACIÓN



RECIÉN LLEGADO DE MI NUEVA ESTANCIA EN LONDRES
PASEAMOS POR ARGÜELLES 
CON MARÍA ENRÍQUEZ 
COMEMOS TAPAS DE ALIOLI, CALLOS Y MIGAS
EN UN HERMOSO BAR DE LA CALLE DONOSO CORTÉS
TODO SABROSO
LAS MIGAS MUESTRAN UN NUEVO ROSTRO 


ART AND FOOD SERIES








INSTAGRAM MOOD



CALLE FUENCARRAL








VALIE ABRAMOVIC REGINA________________________SALA HIROSHIMA 2015 BARCELONA___CON MARTA OLIVERES Y ARTISTAS INVITADOS____POTENCIALES CROMÁTICOS_____________________LAPIEZA 959 EXFOLIATION


TRAS LA ACCIÓN ENSALADA TIBIA DEL VERANO PASADO EN EL PALOMAR 
CON LAS FANTÁSTICAS RAFA Y MARIO, VOLVEMOS A BARCELONA, AL POBLE SEC, PARA EXTENDER LA MEMORIA DE REGINA FIZ EN SU VARIANTE ESTÁTICA Y ARMADA. EN SU ESTADO VALIE, EN SU CUERPO MARINA. 

LOS TRES DÍAS DE ACCIÓN SON ESPECIALES. CPOMO EN CADA TRÍPTICO, SE FIJAN LOS TIEMPOS DE APERYIRA, INTERMEDIO Y CIERRE. LAS VISITAS SON MUCHAS Y VARIADAS, CON LO QUE EL TRABAJO ES AMENO E INTENSO.

LAS MAÑANAS SON FRESCAS Y VOY DE PASEO POR EL ENSANCHE, LAS COMIDAS FRUGALES CON MARTA Y EL BAÑO DE TARDE EN LA PLAYA DE La BARCELONETA, ANTES DE LA ACCIÓN EN SALA. 

NOS JUNTAMOS CADA A LAS CINCO Y TRABAJAMOS HASTA LAS ONCE. 
DESPUÉS DUCHA 
Y CENA RICA DEL COCINERO DE HIROSHIMA.






Timeout 


APUNTO EN ESTA ACCIÓN
MIS
POTENCIALES CROMÁTICOS A DESARROLLAR EN MI SIGUIENTE RESIDENCIA EN FRANCIA. 
:
CAMISA BLANCA
PANTALÓN MORADO
ZAPATOS NEGROS
:
:
LA INSTALACIÓN FUE PRESENTADA EN PROVENCE EN JUNIO DE 2015, 
AL MES SIGUIENTE DE ESTA ACCIÓN EN BARCELONA
http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html
JUNTO CON LA BOLSA AMARILLA
http://antolloveras.blogspot.com.es/2015/06/yellow-bagsunstable-installarton.html

TRAS FIJAR LA LUZ EN LARGOS PASEOS
POR LOS CAMPOS FRANCESES




LA SERIE DE VIDEOS EN ACCIÓN DIRECTA
GRABADOS Y EDITADOS EN SALA
COMO PARTE DE LA ACCIÓN
SE ALMACENAN EN ESTE CANAL ONLINE
Y
SERÁN USADOS EN LA PRÓXIMA ACCIÓN, EN NUEVA YORK 
A CUATRO PROYECCIONES EN 2016. 
ANTES HABRÁ OTRA ENTREGA, LA TERCERA EN GESTACIÓN.

SUAMANDO CAPAS AL CUADRO


VIDEOS AQUÍ PARA LOS QUE GUSTEN 

MIRAR LO QUE MIRABA AQUELLAS TARDES
https://www.youtube.com/REGINAFIZSANTOS





OTHER WORKS WITH REGINA FIZ 2009-2015

HERE
http://antolloveras.blogspot.com.es/2014/04/regina-fiz-decalogo-2009-2013-lapieza.html


ONGOING SERIES

JAVIER PÉREZ ARANDA__________________________ENMASCARADO_____________________LAPIEZA 951 EXFOLIATION




CARTÓN_____________________RUBÉN LORENZO - BIBLIOTECA NACIONAL_________________LAPIEZA 949______MADRID 2015 EXFOLIATION









4







TALLER
DE CARTÓN DIRIGIDO POR RUBÉN LORENZO PARA BASURAMA
MADRID 2015

CLIP
https://youtu.be/-3hSU_t3YdA
CLIP



SHAHPARI BEHZADI______________________BLUE ON YELLOW____LAPIEZA #947_PROVENCE 2015 EXFOLIATION



ART BY SHAHPARI BEHZADI

FILMED BY ANTO - 4 MIN 32 S  - SCREENING AT SELECTED GALLERIES


PROVENCE 2015

PREVIOUS


LAPIEZA 889 - 
DOTS - THICK SMOKE 2014



WHAT___________________________JEAN-PIERRE LUSSEAU______________________SIX FOURS LES PLAGES______LAPIEZA 948 ---- EXFOLIATION 2015










ART BY JEAN PIERRE

CONVERSATION ACTION 


VERNISSAGE
SIX FOURS LES LES PLAGES

http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html

RED RED RED ___________________ANNA BARANEK _________________________PROVENCE________________LAPIEZA #954______EXFOLIATION 2015


ANNA 
PAINTS    RED WEARS       RED DANCES       RED



BARANEK + KISS






THE LIGHT IN PROVENCE 2015
http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html




ANNA 
BENDS A PAPER AND MAKES LEAVES FLY



++ ANNA 2012


http://tomototomoto.blogspot.com.es/2012/06/anna-baranek-tourves-2012.html WORK http://tomototomoto.blogspot.com.es/2012/05/anna-baranek-tourves-2012.html




BACKPACK_______________OPEN DOOR ___BOTTLE___MÁRTA KISS - PROVENCE____LAPIEZA 957 EXFOLIATION 2015


ART BY M+KISS



THE LIGHT IN PROVENCE
http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html

GREY LIGHT NET
http://antolloveras.blogspot.com.es/2015/06/grey-light-net_11.html

sábado, 25 de julio de 2015

POL PARRHESIA _____TECHNOLOGIES OF THE SELF_______SELECTED WORKS | 2010 - 2015


As lonely and vulnerable as possible.
I am here, ready, once again.
Stronger than ever.
With you.




When we meet the work of Parrhesia, 
we see what we don’t see. 

The series of works that Pol Parrhesia has developed in the last years speak mostly about conditions that contain dualities. Absence, power and identity are the dominant subjects in her installations and performances. These subjects are hidden in every stage of her work. The performances by Pol Parrhesia become artifacts that reveal the antagonistic image of what we really see. Not showing by showing is the game Pol Parrhesia likes to play with us. The potential of simple and concise presentations allows Pol to open an internal discussion on the poetics of being, and the idea of being and not being alone. Of course to reach an idea like this one, the art by Pol has taken several steps, so we should recall some of her works to explain the evolution. Lets look at her early sculpture works, the wire and the ball. The wire is a simple wire cloud that at first sight just hugs the light of the sealing in the gallery. When you look closer, you see traces of humanoid shapes in the wire, so the body is there, but faded away. In her next action, the wire is no longer important, and the shadow becomes the main part of the piece. The idea is to be there but not in the obvious form. 

In her city works, crossovers of performance and ritual, Pol explores fragility with humor. In the ball piece, both a sculpture and an action work, Pol takes herself the form of the ball, she is there in the city, trans-mutant and invisible, very light in the idea, heavy and static in the real. If you kick her, you will learn your lesson. The poem remains open. In her online portrait series, she presents herself with pictures of her mother. You see Pol, but she is not there. We meet a mature Pol, as a premonition. In the last years there has been a transition in her works from object based ideas to pure performative pieces. Instead of defining an object, the definition is hidden in the action. The recurrent use of mirrors, and holes in walls and doors, that nvite the viewer to focus on himself has expanded the catalogue of situations by the use of minimal elements. Pol needs almost nothing to make us meet ourselves. When she walks with a mirror, the reflection of the mirror is her camera that includes you in realtime. You are here, with me. Her latest action piece, using the streets as canvas for her performative exercises, allow Pol Parrhesia to explore her own relationship with the visible powers of the city and the invisible feelings of loneliness with others. A highly emotional moment both for her and for her audience. Pol becomes visible by covering her eyes in public, again the minimal artifact that makes her vulnerable as art. Everyones sees her, but she sees nobody, the blindness of being. With you. 

Anto Lloveras. Curator.
Since 2010 has curated and exhibited the art of POL PARRHESIA 
for the relational exhibitions by LAPIEZA 


Identity and nostalgia, the artifact that mediates me and you. 
Selected works 2010-2015 


thicket
update
1hour28min36sec
timeline
theSenseOfLife4.0
peephole
soul
pueblo

viernes, 24 de julio de 2015

PURPLE LEGS__________________PRIVATE ACTION SERIES ______________________________________________LONDON PROVENCE




SOME YEARS AGO
DURING AT PERFORMANCE FESTIVAL DIRECTED THEN BY FEIJOO,
 I SAW THIS AMAZING PERFORMANCE
ABOUT A MAN THAT PUTS HIS ARM UP

OK
THIS WAS A PLAY
A CONSTRUCT OF A DIRECTOR-ACTOR
THAT PLAYED THE ROLE HUNDREDS OF DAYS
ALL AROUND THE WORLD

HOWEVER
I LIKED THE SHOW

SO
TODAY
TEN YEARS AFTER



I PLAY MY OWN SHOW WITH NO AUDIENCE




THE CITY IS A GREAT SCENARIO
TO USE
IN PRIVATE PERFORMANCES AND RITUALS
SO
IN THIS REPETITIOUS CHOREOGRAPHY
MY LEGS WENT UP 100 TIMES
AS PART OF THE
USE THE CITY
AS ART SERIES
ALSO RELATED TO THE MONOCHROMES I LIKE TO DISPLAY
AND THE RESPECT I HAVE
FOR ERWIN WURM IN HIS INSTANT INSTALLATIONS



THIS SPRING IN LONDON
PERHAPS MORE
WITH THOSE NICE BOOTS
UNDER THE SUN THE CLOUDS AND LITTLE RAIN
WITH GEAT SOUNDTRACK BY THE NEVERENDING TRAFFIC IN LONDON



PURPLE PANTS ARE STILL IN USE
SCULPTURE IS PART OF
URBAN TAXIDERMY





PROVENCE 2015
30 KM PERFORMANCE WALK WITH M+K
BRAS WAS EMPTY











PURPLE PANTS - WHITE SHIRT - BLACK SHOES
PRIVATE COLLECTION PAULA LUND  
NORWAY
ALL RIGHTS RESERVED





RELETED WORKS
:

BROWN
BLUE