lunes, 31 de julio de 2017

PIECE FOR A FLAMENCO DANCER /////////////////// AMSTERDAM 25.11.16 ////////////////////////// LAPIEZA 1037 READY

CONTEMPORARY PERFORMANCE
AND STAGE POST-CHOREOGRAPHY


/////////////////////////////////////////////////////////////
THE SITUATION IN AMSTERDAM IS EXTENDING THE POSITIONAL ESSAYS 


As part of the dutch flamenco biennale im invited to generate a memory essay of a new piece, in progress. We work in Amsterdam, with Mateo Feijoo as active relational programmer We make a piece for a flamenco dancer. Flamenco is the commodity that is used and deconstructed from its usual scenarios. We work on a minimal set, with conversation as main tool for the evolution of an action, with the proximity with the audience. We live and work in he hotel ARENA near the zoo. The dancer brings some small wooden boxes to use as  portable stages. Very independent. The producers speak on their cell phones all day to get some technical support and a room for the intimate recordings. I walk the city as usual, taking the city as readymade, and subtract the installation from the real, to be presented at the show as real memory scenario. We work some days, and the piece is done. We make a rehearsal with no audience, very minimal and immediately after the same action with a hundred guests. The compression is huge. The sequence is recorded and edited during the show so at the end of the show the piece is finished. You saw it real and you saw again, the piece with you in it.




25.11.16
26.11.16



01 THE CITY AS READYMADE 
   HYPERPLASTICS 

02 CONCEPT IN PROGRESS 
   SPACE

03  BODY AND MEMORY / SCULPTURE LEGS SHOES 
    RYTHM 


04 SCULPTURE TORSO ARMS  
   STUDIO
https://www.youtube.com/watch?v=1eGbnJno_fI&feature=youtu.be

  
05 IN PROGRESS ***** REHERSAL GUESTS 
   ARENA

06 AUDIENCE DENSITY :::::::::::::: 
   COMPRESSION                    BIENNALE 



//////////////////////////////////////////
CLARA CASTRO 
EDUARDO GUERRERO  
LLOVERAS
//////////////////////////////////////////











                     
PART OF THE DUTCH 













IN NATURAL PROGRESS

FAST CLIP
FAST IS GOOD




 






SHOW #79 *****___________ 2017 ********************* READY___________________ NOW




1031 LLLL - SPANISH BAR - CONTEXT AS READYMADE  ****

1032 KRAPOOLA - ORANGE SERIES - MONOCHROME *********
1033 KJELL VARVIN - SETS 2017 VARIATIONS ***********
1034 PAULA LLOVERAS - NATURAL URBANISMS ************
1035 RUBÉN BONET - FLYHIGH - MADRID MEX DF *********
1036 EL INTRUSO 369 LEMON WALL *********************
1037 PIECE FOR A FLAMENCO DANCER PRODUCTION ********
1038 CLAUDE CHUZEL - EVERY DAY *********************
1039 LEIRE - FISH LIGHT - ZAHORA *******************
1040 ANTO LLOVERAS - FISH DISH *********************





martes, 4 de julio de 2017

THE LIGHT IN MEXICO CITY *************************************************************************************************JANUARY 2016^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^SUPERNATURAL SERIES_________________FIXERS_____________LAPIEZA 1000::::::::::::::::::::::::::::::::::::THE WORD





In may 2011 i got a comission from UNESCO, in collaboration with the environmental psichology department at UAM university in Madrid. The task was basically to make an onsite urban study in the small city of COLIMA, near the PACIFIC OCEAN. The study was regarding all small pocket parks in the city CENTER, the accesibility, and the use of the parks by the elderly people. The idea was part of a larger global study that UNESCO had launched in Brazil some years before. So i flew to Mexico City, in transit, and did the work in Colima for some weeks. All  went ok. Then i flew back to Mexico City in a small plane, and i stayed for ten days walking and recording THE CITY CENTER. Those days were special. I was very surprised by the city in many ways, by the people, the food and the energy that was all over. The scale. At that time i was very busy running my art gallery in Madrid, and had many performances planned in the coming months, so i went back, and while curating the performances and the last onsite exhibitions, i decided to write a project that would bring me back to Mexico City. In the following year i closed the space where i was showing the ongoing relational installation, alltogether 500 artworks in 35 exhibitions. I went on, curating online exhibitions from every city i would live from that day on. Since 2012 i have changed the postion of my base studio about 50 times. I flew back to Mexico City in January 2013, and lived three months in a cool hotel in the city center, I worked with FOOD AND RITUALS, I took a some thousand pictures (TWINS, unstable installation series) and made 25 videoclips from the 1000 kilometers i walked in the center. NOt so bad. I got to know the city center pretty well. Then i went to write to Mazunte, in OAXACA where i got to swim in the amazing beaches at the PACIFIC OCEAN. Again back to Mexico City, where I made several relational intallations and exhibitions, some online for LAPIEZA, other onsite in different showroomsAll days back then were above average, rich and flavourous. I met great artists. Then i went back to EUROPE and had several SOLO and NO SOLO shows and trips (check seelcted chronology of events 2011-2015). NOW, at the end of the year 2015 im back. It has been a long season. Game remains open. LAPIEZA is reaching the piece 1000, where this text belongs. Narrative and situations are fresh and stable. I bring some works to show in the coming weeks, together with the SAND FROM THE DUNE, and the chromatic situational fixers. BLUE + YELLOW, all to extend the translatorial. The light is amazing here.




7AM ::: INSURGENTES COLONIA ESCANDÓN

8AM ::: MERCADO DE LA LAGUNILLA





RECENT WORKS AND SITUATIONS - 2015

THAT CONNECT WITH THE ONGOING SUPERNATURAL SERIES
AND


THE LIGHT ON THE RICE FIELDS - SPAIN 11.15
http://antolloveras.blogspot.mx/2015/11/the-ligh-on-rice-fields-vejer-cadiz.html 
AS FAR AS THE ARM CAN REACH - NORWAY 10.15
http://antolloveras.blogspot.com.es/2015/11/substractionautumnconceptual.html 
DUNA DUNAJ - SLOVAKIA - 09.15
http://antolloveras.blogspot.sk/2015/09/duna-dunaj-slovakia-september-2015.html 
MIMESIS - SPAIN 08.15
http://antolloveras.blogspot.com.es/2015/08/mimesistime-and-honor2015negradas.html 
SITUATIONAL FIXERS - PRAGUE - 06.15
http://antolloveras.blogspot.cz/2015/06/prague-quadrennial-of-performance-and.html 
THE LIGHT IN PROVENCE - FRANCE 05.15
http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html 
THE CITY IS AN ANIMAL - TAXIDERMY LONDON 04.15
http://antolloveras.blogspot.com.es/2015/04/taxidermy-east-london-city-is-animal.html





MUDAS 029 2016
SANTA MARÍA LA RIBERA
COLECCIÓN TAKA + GO


















MUDAS 022 + 028 PRIMERA COMBINADA
COLECCIÓN NURIA VALVERDE




MUDAS 028
MAZUNTE OAXACA PLAYA
PRIMERA ITINERANTE




TALLER INDEPENDIENTE OAXACA  
NIGHT SHOWROOM 
MUDAS 024 025 O26 027 







MUDAS 023
ESTUDIO JESÚS LEÓN
CALLE GUATEMALA CENTRO
FRESCA






MUDAS 022 ESTUDIO ESCANDÓN
CALLE PROGRESO 
FRESH




ESTAS NUEVAS MUDAS CONECTAN CON LAS MUDAS DEL AÑO 2013

MUDAS 019 - 021 SHOWROOM HAMBURGO - LA JUÁREZ
http://antolloveras.blogspot.mx/2016/01/mudasseries-mudas019020021oxidacion.html
MUDAS 017 - 018 SHOWROOM DURANGO  - LA ROMA
http://antolloveras.blogspot.mx/2016/01/mudasseries-mudas017018oxidacion.html
MUDAS 001 - 016 SHOWROOM VIRREYES - CENTRO
http://antolloveras.blogspot.mx/2013/06/mudas-series-mudas-mexico-df-2013.html





LAPIEZA ////////// 1000
EXHIBITION #75 THE WORD
2016              *****