Showing posts with label FREDRIK LUND. Show all posts
Showing posts with label FREDRIK LUND. Show all posts

Sunday, July 14, 2019

EMOTIONAL CAVES ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ THE ART BY FREDRIK LUND _______________ ^^^^^^^^^^^^^^^^^^ ////////////////// LAPIEZA 987 ///////// TRONDHEIM NORWAY ////////////// EXHIBITION #75 THE WORD 2016________________ESSAY



We have now worked with Fredrik Lund for ten years. We have learned, perhaps only glimpsed, in the time shared, a variety of interior landscapes that Fredrik Lund carries with him. We will name those landscapes here as emotional caves. In this short text we will not decode the essence of Lunds caves, nor his achievements or the names of his passions, that would take some books. We will show how, his essence, those interior caves, shaped by the big waves of the daily emotional routes and the daily rituals of fire and love, show themselves outside in four different forms of art, that we will name here as natures, natural forms of expression, renamed by historical forces in different fields, that might overlap in some parts and be distant in others. So lets get to it, here we go, on how emotional caves become natures. First nature - Vision / The art of being there. Walk and observation. Being the place. Just breath in an out and understand the real meaning of the landscape. geograpgy and topography as part of history. Scale and deepness. the reading also feeds this nature. fredrik is expert is norwegian history and XX century war scenarios. Second nature - Decison / The art of taking the place. decodification and abstraction. once the landscape in part of Fredrik, the most simple tools are used to describe it, to aprehend it. A sharp pencil and a thick white paper. Do not mix simple with easy, perhaps the reduction of elements to fix nature as art is the most avant-garde modus. No electricity needed. It could be a piece of recent chalk from a night fire on a raw stone.  Third nature - Transmition / The art of communcating > teaching one to one, here and now, and lecturing historically is Fredriks passion and task as professor. Year after year Fredrik builds programs where students will learn all about the minimal maximals. No excuses. Fourth nature - Translation / The art of reshaping spaces, materials, and generating mimetic environments: architecture. This order or nature has several sub fields, sice architecture is a complex language on its own. However we will treat it as a whole. Fredrik Lund is an architect. The fact of being an architect is very relevant, since this nature has grown to be a very deep cave.







EXHIBITION #75 THE WORD
2016              *****










SELECTED WORKS  //////// ART ARCHITECTURE TEACHING POEMS




THE WOODWAY *****
FOODSCAPES *****




TXT BY LLLL -
Paula Lloveras - URBANAS - ECOCITY STRATEGIST - Green is art.
Anto Lloveras -  LAPIEZA - SOCIOPLASTICS - Curatorial as art.
both are active architects and collaborators with Studio Fredrik Lund since 2005.






FRAMING THE LANDSCAPE _________________FREDRIK LUND


ART BY FREDRIK LUND

http://lapiezalapieza.blogspot.com.es/2015/04/framing-landscape-fredrik-lund-norway.html




http://studiofredriklund.blogspot.com.es/






LAPIEZA






We walk randomly around the center of Oslo, we transit through gorgeous architectural scenarios. The center of the Norwegian artscene shows a mixture of romanticism and ratioanalism. We stop at Littertuurhuset for a coffee, lots of smiles and people enjoying great food. We walk up the hill to check The Vigeland park and down again to visit to museum of architecture designed by Sverre Fehn, the only norwegian pritzker Price. We walk around models and installations, where cool emerging norweigina architects under 40 show their latest ideas. Fredrik Lund was twice represented in this show, before he reached his forties, a unique case. We walk the streets again buying ice creams and sparkling water, walking along the Oslo government buildings and arrived at the harbor, next to the Snøhetta studio. We smoke by the water and talk about the current works. A day later, we are traveling together across the country, passing my mythical mountains, and stopping for dinner at the most traditional restaurants, tasting the moose and deer burgers by the national road, across the great park of Rondane. The dinner saloon is very old fashioned, we sit surrounded by stuffed weasels. As we leave the area, we stop briefly at the concrete architecture by his colleague Carl Viggo Holmebakk, and catch the amazing views to he mountains we will soon be crossing. Already in the city of Trondheim, we visit Fredriks artist's atelier at the NTNU, here he developes his professorship in architectural teachings, teaching as art. We know Fredrik now for ten years. Fredrik loves to visit Madrid, and to spend hours at the Reina Sofia Museum, studying the spanish masters in abstractions from the sixties. We have travelled to Cuenca together, where there is also a great collection of Spanish abstract painters, all surrounded by amazing landscapes, Fredriks main inspiration for his art. The fresh air and the view. Just by framing the view the whole architectural concept has started, and that is the potential of the architecture of Lund, the empathy with the surroundings and the absolute control of the human activity that will happen inside the wooden walls. We are now ready to make dinner, another daily ritual, where Fredrik acts as guardian of the wonders of hot potatoes with butter and several fresh fish on a warm pan. While we eat in silence, we understand the ritual.

Sunday, December 11, 2016

CRITICS //////////// ARCHITECTURE MASTER SERIES ///// NTNU NORWAY ///// WINTER 2016

THREE HOUSES MASTER COURSE DIRECTED
BY PROFESSOR FREDRIK LUND


NTNU ARCHITECTURE MASTERS COURSE
THREE HOUSES / WINTER 2016
CONTEXT STUDY / INTRO
CRITICS ON THE 2ND HOUSE PAVILION / 28 DESIGNS
CROSS-POLLINATION LECTURE / ARCHITECTURE RESEARCH ART 
GRADES A / DESIGN / 28 X8 GRADES B / RESEACH ESSAYS / 17 X
______________________________________________________
::::::::::::
POWERED
BY


SITE 
SUBTRACTED STONE SCENARIO
THE WOUND



Monday, December 5, 2016

THEWOODWAY

THEWOODWAY, a 14-part video series documenting a pedagogical architecture experiment in Norway (NTNU, 2008), reveals the power of collaborative construction as both educational strategy and spatial research. The project involved eighty first-year architecture students building a one-to-one wooden superstructure, generating eighteen distinct spatial concepts under the guidance of faculty and professionals. Filmed and edited as short episodic reflections, the series frames architecture not as static output but as a processual practice, grounded in participation, negotiation, and continuous interpretation. Across episodes like Smell, Light Organ, and Your Own Way, architecture is approached through the senses, embracing contingency and atmosphere over determinism. The pedagogical framework echoes design-build traditions but expands their scope, embedding critical awareness and improvisational agency within each stage of construction. The series shifts between the tactile, the choreographic, and the sonic, highlighting how material manipulation fosters collective authorship. Far from a didactic exercise, it unfolds as a socially situated inquiry, inviting students to learn through embodiment, error, and dialogue. The presence of artists, critics, and musicians—among them Tony Fretton and El Intruso—underscores the transdisciplinary ethos of the work. As an audiovisual artifact, THEWOODWAY functions simultaneously as documentation, methodology, and experimental film, compressing time and layering voices to reveal an architecture of relations rather than forms. It refuses to monumentalise the final structure, privileging instead the ephemeral choreography of making—the gestures, debates, improvisations, and communal decisions that produce space as a lived phenomenon. The project demonstrates how architecture, when decoupled from productivist imperatives, can become a collective poetics of construction, resonating with pedagogies that value action over representation and experience over abstraction.




ON THE ADVENTURE OF LEARNING :





BY BUILDING A ONE TO ONE MODEL
AT THE FACULTY OF ARCHITECTURE               IN NORWAY


VIDEO SERIES 
NTNU TRONDHEIM NORWAY 
A PRODUCTION BY LLOVERAS / TOMOTO FILMS / PROFESSOR LUND