Mostrando entradas con la etiqueta maria alejandra gatti. Mostrar todas las entradas
Mostrando entradas con la etiqueta maria alejandra gatti. Mostrar todas las entradas

domingo, 6 de octubre de 2024

Guimarães Art Biennial 2024 ____ Relational Series 156


Re-(t)exHile, an installation produced for the Lagos Biennial in Nigeria, is now presented as a narrative at the CONTEXTILE Biennial 2024. This biennial, which has established a solid reputation in the field of contemporary art, becomes the ideal setting for the presentation of Re-(t)exHile a project that not only redefines the relationship between art, sustainability, and community but also brings a new perspective from the African continent.  

https://contextile.pt/en/textile_talks_art_2024/

The Art Biennial has transformed the Guimarães region in Portugal into an epicenter of interaction between artists, creators, communities, and industries. In each edition, the biennial has stood out for its ability to attract artists from around the world, building bridges and relationships with an extensive group of global partners. CONTEXTILE 2024 extends over 100 days, from September 7 to December 15, with a program that includes exhibitions, artist residencies, performances, workshops, and the Textile Talks conference series. #ReTextile #Contextile2024 #ContemporaryTextileArt #Sustainability #ArtAndCommunity #TouchAndTextiles #culturemoveseurope #goetheinstitut  

Re-(t)exHile is an itinerant installation by Anto Lloveras, María Alejandra Gatti, Martinka Bobrikova, Oscar de Carmen and Adebola Badmus that challenges fast fashion. 


jueves, 4 de enero de 2024

IV Lagos Art and Architecture Biennial ::::::::::::::::::::::::::::::: re-(T)exHile :::::::::::::::: 3 to 10 February 2024 ************* Tafawa Balewa Square ____ Lagos, Nigeria




The 2024 edition of the Lagos Biennial takes place in the heart of Lagos on the grounds of Tafawa Balewa Square, a site named in honour of the first Nigerian Prime Minister. The Biennial occupies this historical space, linked to entertainment in the colonial period as a racecourse and to political, cultural and commercial events after Independence, in order to reflect on its possible meanings in relation to political allegiance, territory, sovereignty, regionality, notions of belonging, encounter, and alliance. It moves the cursor away from a history of ‘universal’ exhibitions and biennials towards experiments in non-conventional modes of exhibition making, shifting from the idea of the work as an end in itself towards generative models and prototypes that continue to activate possibilities in the world.

domingo, 1 de octubre de 2023

LAGOS BIENNIAL NIGERIA _________________ 2021 : 2024 _____________ OUTSIDER _______ THE FLAG SQUAD




OUTSIDER

MARÍA ALEJANDRA GATTI 

OSCAR DE CARMEN

MARTINKA BOBRIKOVA

ANTO LLOVERAS


IDEA

https://antolloveras.blogspot.com/2021/04/lagos_29.html


WINNING ENTRY











LAPIEZA
MOVEMENTS FOR AN UNSTABLE SYMPHONIC RITUAL 


SERIES 120 - 1407-1415
SERIES 119 - 1398-1406
SERIES 118 - 1389-1397
SERIES 117 - 1380-1388
SERIES 116 - 1371-1379
SERIES 115 - 1362-1370




FRONTLINE
SPACESHIP






domingo, 25 de abril de 2021

CASA E generación 2021

 




La casa bulle. Hay cola para entrar en las diferentes expos. Las mascarillas y el gel son omnipresentes. Probamoms los pufs de aire en el patio, vemos los fanzines de Elige tu propia normalidad, conversamos con los editores antes de entrar en la sala del arte plástico. Los jóvenes frescos presentan sus ideas. La escenografía rebosa humor y tacto. Lo frágil se mide con lo cromático. La superposición de narrativas funciona y los videos en las habitaciones mantienen la intimidad del concepto.




















https://www.lacasaencendida.es/exposiciones/generacion-2021-12160

https://www.youtube.com/watch?v=s_9wpswntF4