Showing posts with label relational semionautics. Show all posts
Showing posts with label relational semionautics. Show all posts
Sunday, March 15, 2026

Within the framework of Socioplastics, media—film, photography, and digital platforms—operate not as instruments of representation but as relational infrastructures that actively participate in the production of knowledge and social interaction. Anto Lloveras conceives moving images and photographic fragments as epistemic prostheses, capable of registering temporal processes, relational encounters, and atmospheric thresholds while simultaneously shaping the conditions under which these phenomena become intelligible.

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In this context film becomes filmed agency : a longitudinal observational practice that captures bodies in labour, conversation, and perform...

Within Socioplastics, choreography operates as a performative epistemology in which bodily movement functions as a relational instrument capable of activating spatial, social, and atmospheric dynamics. Rather than adhering to theatrical dance traditions, the choreographic dimension of Anto Lloveras’s practice adopts a radically minimalist and processual approach, foregrounding micro-variation, repetition, and duration as mechanisms for calibrating perception and relational intensity.

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  Bodies are treated as porous interfaces situated within dynamic environments; gestures such as carrying, walking, wrapping, or pausing b...

Within the evolving field of Socioplastics, the concept of performative uncertainty designates a methodological condition in which spatial gestures, objects, and architectural fragments cease to operate as representations and instead function as active environmental agents.

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Rather than cultivating ambiguity as aesthetic ornament, this approach deliberately engineers instability as a medium through which artefact...