sábado, 5 de octubre de 2024

HAHA







en

John Divola




 

en

A Transdisciplinary Practice Spanning Art, Architecture, and Conceptual Research


Anto Lloveras is a Transdisciplinary artist, architect, and researcher who has developed an extensive body of work that spans over 300 projects across multiple fields, including conceptual art, architecture, performance, and urbanism. His practice, marked by a blend of critical inquiry and experimental methodologies, explores the intersections of space, identity, and social dynamics. From ephemeral installations to urban interventions, his approach integrates diverse mediums and disciplines, creating a dynamic framework that bridges theory and practice. Lloveras's projects, developed in cities like Madrid, Mexico City and Lagos, engage deeply with local contexts, using art as a tool for reimagining spaces and fostering new dialogues around presence and transformation.

Relational Art and Architecture

Each discipline interweaves with its context, generating dynamic encounters that challenge permanence and perception. In architecture, projects like the Trole Building transform industrial structures into adaptable workspaces that dialogue with their surroundings. In the field of installation art, series such as YELLOW BAG use a simple everyday object to mark transitions and presence across urban settings like Madrid and Lagos. From the perspective of science and technology, projects like Psicología Ambiental Hoy delve into human interaction with space through perception and memory, analyzing how environments shape behavior. In conceptual art, SOCIOPLASTICS acts as a framework merging physical and relational elements, emphasizing collaborative processes. In film, the COPOS comprises over 500 videos documenting urban interventions, exploring the idea of an unstable archive. For performance, works like DOBLE CARA investigate duality and perception through choreographic movements and installations. 

Projects are often situated at the intersection of urban space and social dynamics, using subtle interventions to shift perceptions. Works like Spanish Bar capture the fading essence of traditional community hubs, transforming familiar locations into contexts for reflection on cultural shifts. In the ongoing series TWINS, the city becomes a fragmented reality of mirrored elements and contrasts, creating a dialogue between symmetry and rupture across urban landscapes. The textile-based project Re(T)exHile, presented at the IV Lagos Biennial, explores sustainability and memory through fabric, addressing the dualities of preservation and transformation. In Conversation Installation, ephemeral dialogues become the core medium, turning the spoken word into an art form that evolves with each participant’s input, challenging the traditional stability of exhibitions.

Materiality and Absence

Many projects focus on material transformation and the poetics of absence. The Subtraction Series involves precise cuts and removals from natural landscapes, revealing the fragility of human intervention and the resilience of the environment. With MUDAS, ephemeral sculptures created from fresh banana leaves slowly decay over time, symbolizing cycles of change and cultural identity. In the collaborative and site-specific Restoran Splendid, the idea of rotating authorship dissolves the hierarchy between artists, creating a visual dialogue on equality and presence. Similarly, The Light in Cádiz is a meditative exploration of form and color, using minimal interventions to alter the perception of coastal landscapes and urban boundaries. Artistic expressions often delve into the tension between form and formlessness. In the KINGDOM SERIES, temporary landscape interventions subtly alter natural surroundings to explore the fragility of ecosystems and the transient impact of human presence. The MEAT SERIES uses precise cuts in everyday objects, such as sofas and chairs, to transform them into sculptural forms that evoke themes of fragmentation and restoration. The drawing project KING DREAM consists of raw, unfinished forms that embrace imperfection, capturing primal emotions through a continuous line, as part of the ongoing STONE GARDEN series. 



Lapieza Relational Agency emerged in Madrid in 2009 as a response to the need for alternative artistic platforms outside traditional gallery circuits. Founded by Anto Lloveras, it initially took the form of a fluid exhibition space, focusing on creating ‘unstable installations’ that combined urban interventions, architecture, and ephemeral actions. Early projects such as EXIT and SUPERMARKET set the tone for a practice centered on questioning the boundaries between space, body, and context. As a collaborative endeavor, Lapieza established itself as a forum for artists, architects, and researchers to experiment with new forms of expression, exploring the tension between permanence and transformation in art.

Over time, Lapieza evolved from a physical gallery to a Relational Agency that traverses different geographies and disciplines, expanding its focus to include large-scale interventions and research-based projects. The concept of Socioplastics —a term coined to define its dynamic approach to blending material, social, and symbolic elements—became a guiding principle. Series like TWINS, FRESH MUSEUM, and COSMOTIDIANO reimagined conventional exhibition formats, using public spaces in cities like Madrid, Lagos, and Mexico City as shifting canvases for collective narratives. These projects transformed the agency into a site of ongoing experimentation, where Lloveras’s own work often intersected with the broader context, contributing to a shared language of spatial disruption and relational aesthetics.

en

OBJETOS DINÁMICOS - LLLL LAPIEZA #819


LLLL ART AGENCY presenta un concepto híbrido y en red. 
La ciudad como instalación total y el objeto como partícula dinámica suficiente. Una nueva serie de VIDEOESCULTURAS que representan el concepto inestable.  
El cuerpo de Paula Lloveras, TOMOTO FILMS, con la música de El intruso. En reestreno contante en la red.

BANANA 
BLANCA
AGUJERO
CHAIR
CONO

DM
DOTS

LEGS
METAL
PORESPÁN
TUBO

WAR

RELATED VITAMIN 019 (III/-) 

No hay duda de que tales esquemas, ejemplos de una poesía moderna capaz de traer consigo vivas reacciones afectivas -en este caso la indignación de que se pueda vivir de esta forma- e incluso la teoría, avanzada por Burgess a propósito de Chicago, del reparto de las actividades sociales en zonas concéntricas definidas, tienen que servir al progreso de la deriva. El azar juega en la deriva un papel tanto más importante cuanto menos asentada esté todavía la observación psicogeográfica. Pero la acción del azar es naturalmente conservadora y tiende, en un nuevo marco, a reducir todo a la alternancia de un número limitado de variantes y al hábito. Al no ser el progreso más que la ruptura de alguno de los marcos en los que actúa el azar mediante la creación de nuevas condiciones más favorables a nuestros designios, se puede decir que los azares de la deriva son esencialmente diferentes de los del paseo, pero que se corre el riesgo de que los primeros atractivos psicogeográficos que se descubren fijen al sujeto o al grupo que deriva alrededor de nuevos ejes habituales, a los que todo les hace volver constantemente.
Teoría de la deriva  Guy Debord 1958
Publicado en el # 6 de Internationale Situationiste (agosto, 1961). Traducción extraída de Internacional situacionista, vol. I: La realización del arte, Madrid, Literatura Gris, 1999.

https://www.facebook.com/pages/Guy-Ernest-Debord/14353419083?fref=ts
Anto Lloveras Lapieza Relational Art Series Marisa Caminos Guy Ernest Debord
    — con Lapieza Relational Art Series y Anto Lloveras.





http://proyectorvideoartfestival.blogspot.no/p/proyector.html
http://espacio-naranjo.com/2013/11/20/openhouse/

http://paulalloveras.blogspot.no/ 
http://antolloveras.blogspot.no/ 

OPENHOUSE EN ESPACIO NARANJO se postula como un encuentro entre espacios y proyectos culturales. Respondiendo a la constante necesidad de difusión el próximo 23 de noviembre abriremos las puertas del Espacio Naranjo para presentar una selección de iniciativas culturales independientes.


http://proyectorvideoartfestival.blogspot.pt/2013/11/s23-nov-07-dic-2013-espacio-naranjo.html



COPY PASTE SEND


01 TUBO

02 PORESPÁN
03 METAL
04 DOTS
05 WAR
06 CONO
07 LEGS
08 GUNS
09 CHAIR
10 DM



"Dynamic Objects" is a hybrid project by LLLL ART AGENCY that presents the city as a total installation and the object as a dynamic and sufficient particle. This video sculpture series captures the essence of instability through a series of performances involving common objects that transform into expressive elements within urban landscapes.

The project stars Paula Lloveras as the main performer, captured through the lens of TOMOTO FILMS, with music by El Intruso. Each object in the series—such as Banana, Chair, Metal, Tube, and War—is used in an unexpected context, challenging the viewer’s perception of the mundane and reinterpreting everyday materials as catalysts for movement and artistic expression.

The piece explores the psychogeographic potential of objects and the human body interacting with the cityscape, transforming spaces through ephemeral actions. Originally premiered at Espacio Naranjo on November 23, 2013, as part of the Proyector International Video Art Festival, this work is in constant re-release online, reflecting its fluid nature and the ability to evolve across digital platforms.

en

viernes, 4 de octubre de 2024

Nowadays



MY work consists of active series spanning urbanism, art, science, and humanities, exploring liminal spaces and creating sensitivity layers through the accumulation of experiences. 


Each discipline interweaves with its context, generating dynamic encounters that challenge permanence and perception. In architecture, projects like the Trole Building in Madrid stand out for transforming industrial structures into adaptable workspaces that dialogue with their surroundings. In the field of installation art, series such as YELLOW BAG use a simple everyday object to mark transitions and presence across urban settings like Madrid and Lagos. From the perspective of science and technology, projects like Psicología Ambiental Hoy delve into human interaction with space through perception and memory, analyzing how environments shape behavior. In film, the COPOS series comprises over 500 videos documenting urban interventions, exploring the idea of an unstable archive. For performance, works like DOBLE CARA investigate duality and perception through choreographic movements and installations. Finally, in the humanities, CAPA (Council of Applied Art and Philosophy) integrates theory and practice, proposing new hermeneutic frameworks to redefine authorship and cultural production.

Projects are often situated at the intersection of urban space and social dynamics, using subtle interventions to shift perceptions. Works like Spanish Bar capture the fading essence of traditional community hubs, transforming familiar locations into contexts for reflection on cultural shifts. In the ongoing series TWINS, the city becomes a fragmented reality of mirrored elements and contrasts, creating a dialogue between symmetry and rupture across urban landscapes. The textile-based project Re(T)exHile, presented at the IV Lagos Biennial, explores sustainability and memory through fabric, addressing the dualities of preservation and transformation. In Conversation Installation, ephemeral dialogues become the core medium, turning the spoken word into an art form that evolves with each participant’s input, challenging the traditional stability of exhibitions.

Many projects focus on material transformation and the poetics of absence. The Subtraction Series involves precise cuts and removals from natural landscapes, revealing the fragility of human intervention and the resilience of the environment. With MUDAS, ephemeral sculptures created from fresh banana leaves slowly decay over time, symbolizing cycles of change and cultural identity. In the collaborative and site-specific Restoran Splendid, the idea of rotating authorship dissolves the hierarchy between artists, creating a visual dialogue on equality and presence. Similarly, The Light in Cádiz is a meditative exploration of form and color, using minimal interventions to alter the perception of coastal landscapes and urban boundaries.





Artistic expressions often delve into the tension between form and formlessness. In the KINGDOM SERIES, temporary landscape interventions subtly alter natural surroundings to explore the fragility of ecosystems and the transient impact of human presence. The MEAT SERIES uses precise cuts in everyday objects, such as sofas and chairs, to transform them into sculptural forms that evoke themes of fragmentation and restoration. The drawing project KING DREAM consists of raw, unfinished forms that embrace imperfection, capturing primal emotions through a continuous line, as part of the ongoing STONE GARDEN series.


Other projects explore the fluid dynamics of space and narrative. STRUCTURAL CONVERSATIONS engages with architecture and language, inviting audiences to reflect on how structures—both physical and social—shape human interaction. The FRAMED BENDED SERIES pushes metal into organic shapes, capturing a process of continuous transformation. THE ROAD TO RESTORATION documents cultural sites and their conservation, exploring how the past informs future narratives. Thermodynamic Essays explore the interplay between elemental forces—water, stone, and fire—creating poetic interactions that reveal nature’s hidden dynamism.


Across these projects, the aim is to use art as a lens for rethinking presence, identity, and transformation. Each piece—whether through sculpture, performance, film, or architecture—becomes a tool for examining the boundaries between permanence and impermanence, creating a dialogue between context, action, and memory.



en

YELLOW BAG______________________SITUATIONAL FIXER_________ BOLSA AMARILLA ________________________FIJADOR SITUACIONAL___________ MADRID CROATIA PROVENCE MADRID BRATISLAVA PRAHA GALICIA MADRID GALICIA SLOVAKIA CÁDIZ MEXICO CÁDIZ MADRID VIENA SERBIA CADIZ GALICIA MÁLAGA CROATIA GALICIA MADRID MÁLAGA MADRID TRONDHEIM MÁLAGA SWEDEN GOPENHAGEN NEGRADAS MADRID GALICIA CÁDIZ MADRID CÁDIZ LONDON IZÁ ATHENS TIROL ÁVILA MADRID EXTREMADURA MADRID ÁVILA EL ESCORIAL CÁDIZ LA GOMERA LAGOS,NIGERIA MADRID MÁLAGA GRANADA -------------------------------------------- 2014 2023 -------------------- UNSTABLE INSTALLATION SERIES ________LAPIEZA 1478___________IN USE



07 2014 
PRESENTATION 
CLIP WALKING MADRID BY LLLL
CONCEPT DEVELOPMENT 


 



2014 CROATIA - LEMON KISS SOLO SHOW - PULA

http://antolloveras.blogspot.com.es/2014/09/lemon-kiss-ritual.html

05 2015 THE LIGHT IN PROVENCE - 
PERFORMANCE 2 WEEKS
http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html - 



30 KM WALK + K
I BRING YOU FLOWERS


VERNISSAGE TOURVES 





SIX FOURS LES PLAGES

SHOW








BACK IN MADRID MADRID 

06.15 

TANGENCIES TO THE BOOK ARTFAIR







NIGHT MEETINGS AFTER THE SESSION BY EL INTRUSO
CALLE PALMA ELECTRIC DJ SETS


MAYA SARAVIA + JPA + HARIS


EN EL CAFÉ MAHÓN DE LA PLAZA DEL DOS DE MAYO 
CON EDUARDO CAJAL - 
SCULPTOR > https://www.youtube.com/watch?v=vzAA82dYOFw
DIRECTOR AVION > http://www.trashumante.org/?page_id=369


ALWAYS NICE TO FIND A FRESH URBAN KRAPOOLA 

https://www.google.es/search?q=KRAPOOLA+TAPAS&biw=1224&bih=463&source=lnms&tbm=isch&sa=X&ved=0CAcQ_AUoAmoVChMI8YjYhLuPxgIVRe0UCh3PFQB0#tbm=isch&q=KRAPOOLA+TAPAS+LAPIEZA  

PAST > http://tomototomoto.blogspot.com.es/2011/12/tapas-krapoola.html

MEAT 107 NAILS - 5X BLACK CALLE BALLESTA
THE CITY IS AN ANIMAL
https://www.youtube.com/watch?v=NzMXtLLDEOQ


NEW LEAF
HOLA VERDE URBANO
ARTÍCULO SOBRE LA IMPORTANCIA DEL VERDE EN MADRID
http://www.somosmalasana.com/las-plazas-pulmones-emocionales-para-la-ciudadania PUBLICADO POR SOMOS MALASAÑA
















WALKING AROUND I MEET YAN NAZCA
AND THE IDEA IS TO WALK TO RETIRO PARK
AND HAVE HIM FACING A BIG TREE





AFTER SILVER NET PICTURE
http://antolloveras.blogspot.com.es/2015/06/grey-light-net_11.html
WE WALK TO NOVICIADO CON MARÍA ENRÍQUEZ


 




THE BLACK 
ABSORBS THE SHADOW
AND GIVES GLOW TO THE BAG
WITH THE HIDDEN PRESENCE OF THE TREE OF LOVE 






HEAT COMES AND GOES IN MADRID
WE GO TO HAVE OYSTERS AT MARIAS FAVOURITE TRADITIONAL BAR
I CUT MEAT 108 EQUILATERO AT THE ENTRANCE

<
<
22 JUNE 15 I MOVE TO BOHEMIA
VIA BRATISLAVA


LUNCHROOM















MASS


FOR THE QUADRIENNIAL OF PERFORMANCE AND SCENOGRAPHY
+++ 
EXTENDED NARRATIVE HERE
http://antolloveras.blogspot.cz/2015/06/prague-quadrennial-of-performance-and.html











WITH THE KITCHEN DIALGOUES TEAM AT AMBASSADORS HOUSE
UPON ARRIVAL


WITH AMBASSADOR



















BREAKFAST

STUDIO




CHERRY TREES








37 SECONDS VIDEOART SERIES




















LOUNGE VIDEO 
AWARENESS








EATABLE SHOW




ROUTINE
EXHIBITION AT NATIONAL GALLERY


PERFORMANCE 
















AMAPOLA






























LITTLE HANOI
SOUTH PRAGUE

EATING AND DRINKING FROM STREET RESATURANTS




DREAMLAND


FINAL ACTION IN PRAHA
IN COLD WATER








TRIP TO SPAIN 
TO TAKE SOME SAND AT THE BEACH
AND READ SOME BOOKS



STAINS AR SO HOT





I WORK FULL SCHEDULE AT THE BEACH

















I THINK ON THE PAINTINGS
AND SOME NEW CONSTELLATIONS TO BE NAMED








PLANTS
ARE
ALWAYS
HERE




 I LOVE THE BEACH
I LOVE LOVE THE BEACH






















I READ 25 BOOKS AT MY BEACH 
ROCK
http://antolloveras.blogspot.com.es/2015/07/brain-summer-2015.html

 I WRITE SOME DIRTY POETRY
AND START 
A NEW BOOK
ABOUT TWENTY ARTISTS
THAT HAVE WORKED WITH ME 
IN THE LAST 
5 YEARS
************************************************


I DRIVE TO MADRID
WITH AN AMAZING AFTERNOON LIGHT IN THE ROAD
TO PARTICIPATE IN A MEETING OF PERFORMANCE ARTISTS
ORGANICED BY ANA MATEY
https://www.youtube.com/watch?v=x7SG6ow0MZw
IT IS 
OUT IN THE FILEDS
IT IS 
A NIGHT MEETING
AN IDEA I GAVE HER WHEN ME MET LAST MONTH
http://antolloveras.blogspot.com.es/2015/08/el-sol-de-frente-acciones-nocturnas-en.html

















AUGUST 2015 -BACK TO NOWHERE
OCEAN, TECTONICS AND GARDENS ARE WAITING FOR NEW EPICS
+++++ NARRATIVE
http://antolloveras.blogspot.com.es/2015/08/epica-epidermica20132015negradas.html




















I PASS BY MADRID SOME DAYS
AND THEN 
FLY TO SLOVAKIA
http://antolloveras.blogspot.sk/2015/09/duna-dunaj-slovakia-september-2015.html
THE YELLOW BAG IS NOT USED SO MUCH, BLUE IS DOMINANT


GIVANNI AVASHADUR . KOMÁRNO . WE WENT FOR CIGARETTES























I CARRY MY LOVED BEACH WITH ME 


SPECIAL DELIVERY


I MOVE ON

























I CARRY ALL THE SEEDS AND LEAVES COLLECTED IN SLOVAKIA
TO NORWAY FOR A COLLECTOR            
                       



I CARRY THE SUBSTRACTED LEAVES
IN THE BAG
TO THE RESIDENCE IN MESSEN
http://antolloveras.blogspot.com.es/2015/11/substractionautumnconceptual.html


I WORK IN RELATIONS WITH OTHER ARTISTS 

http://antolloveras.blogspot.com.es/2015/11/jungle-with-me-show-by-dafne.html
-
http://antolloveras.blogspot.com.es/2015/11/wim-van-den-toornnorway-2015-lapieza.html





I MOVE TO OSLO
WHERE I WORK SOME DAYS AT THE VANDAL RESIDENCE
http://antolloveras.blogspot.com.es/2015/11/vandalsinternational-residence-for.html



















I FLY TO CÁDIZ
TO WORK WITH INK AND SAND





COLD NIGHTS IN THE CAVE
COFFEE IN THE DAY
AND SWIMS



TRAFALGAR WITH MAQUEDA


















THIRD SWIM EL PALMAR

























I COLLECT THE SAND
AND WALK UP THE TREES










SAND GOES TO MEXICO
http://antolloveras.blogspot.mx/2015/12/the-light-in-mexico-citydecember.html






TO MEET NEW SAND AT PACIFIC OCEAN
AT THE AMAZING OAXACA BEACHES














RITUAL SERIES ARE ACTIVE







LIGHT IS SUPERBE





A SMALL PART OF THE SAND DUNE NEAR THE ATLANTIC
IS DROPPED  AND CONNECTS WITH PACIFIC OCEAN





A PRIVATE TAG IS ADDED










THEN A NEW COLLECTION OF SAND IS MADE

1000 GRAMS ARE COLLECTED ON SITE
AT ZIPOLITE BEACH AT SUNSET

ALL
TO BE DISPLACED TO NEW SHOWS 
AND BE CONNECTED WITH OTHER NATURAL PLACES

I MAKE A CIRCLE AS FAR AS THE ARM CAN REACH     +
IN 
THE NO LEFTOVERS SUPERNATURAL OUTFIT SERIES


BLACK PANTS - BLACK SHIRT - GREEN HAT








SAND IS NOW ON THE MOVE


JANUARY 2016 
BEST MOOD AND ENERGY FOR THE NEW YEAR 
YEAH YEAH LOVE LOVE










BACK TO MEXICO CITY


SAN RAFAEL
SANTA MARÍA LA RIBERA

ORGANIC BREAKFAST 
WITH FILM PRODUCER TOÑO ARANGO AND DESIGNER MICHAELA GONZÁLEZ
LA ROMA NORTE




I FLY TO MADRID
AND INSTALL THE BAGS WITH SAND
http://antolloveras.blogspot.com.es/2016/01/momento-160115-la-luz-en-madrid.html

AND GO TO GERMANY http://antolloveras.blogspot.com.es/2016/01/streaming-egos-dussseldorf-goethe.html



THEN TO MÁLAGA 
AND CÁDIZ







MEDINA SIDONIA






CONIL













BACK TO THE TERRACE 
I ACTIVATED SOME WEEKS AGO
http://antolloveras.blogspot.com.es/2015/11/the-ligh-on-rice-fields-vejer-cadiz.html






UPDATING THE INSTALLATION

http://antolloveras.blogspot.com.es/2015/11/the-ligh-on-rice-fields-vejer-cadiz.html




















TRAFALGAR
BROWN SET
http://antolloveras.blogspot.com.es/2016/01/brown-cadiz-supernaturalno-leftovers.html






I BRING SOME PLANTS FROM CAÑOS DE MECA
UP TO GALICIA
AND PLANT THEM IN THE GARDEN





I MOVE TO MADRID
WHERE I WORK ON MY NEW STUDIO
AND PLAY THE SITUATION IN ARCO ARTFAIR
WHER I DESIGNED THE SPACESHOW SOME YARS AGO 
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
THE FAIR IS BALANCED AND QUITE TRADITIONAL
I ENJOY THE WORKS BY JAQUE AT THE CHILLS
SOBER AND GEOMATICALLY SIMPLE
THE VIP LOUNGE BY CHINCHILLA
IS YET ANOTHER BAROC
SCENARIO






I MOVE TO VIENA 
TO PRESENT THE LATEST NARRATIVE
http://antolloveras.blogspot.co.at/2016/03/the-word-in-viena-0316lapieza-1000.html
TOPCOAT FOR THE WORD, EXHIBITION #75 LAPIEZA
http://lapiezalapieza.blogspot.com.es/2016/02/the-word-exhibition-75-7th-season-2016.html



SHOWROOM
SCULPTURE IN VIENA
BLACK OUTFIT AFTER BROWN  GREEN HAT ****** NO LEFTOVERS
http://antolloveras.blogspot.co.at/2015/07/greengreenblack-blackunstable.html

THEN

100 DAYS IN MADRID
http://antolloveras.blogspot.rs/2016/03/fish-dish-ritual-032016-madrid.html
100 DISHES 

THEN






I FLY FLY

READY TO ENLARGE THE UNSTABLE INSTALLATION SERIES

IN SERBIA





https://www.youtube.com/watch?v=2iWf1gIG6YU&feature=youtu.be
















SOME DAYS RESEARCHING THE NATURAL CONTEXT


NEW SETS
http://antolloveras.blogspot.rs/2016/07/at-work-unstable-installation-series.html 










222 LEAVES TAKEN AWAY
http://antolloveras.blogspot.rs/2016/07/substraction-kikinda-serbia-2016.html
SUBSTRACTION SERIES



SPLENDID STORAGE

IS THE EXTENSION IN SERBIA 
OF RESTORAN SPLENDID 2012
ACTION IN CROATIA 
http://tomototomoto.blogspot.rs/2012/09/restoran-splendid.html
ATMOSPHERE SCULPTURE SERIES











TERRA ATELIER MORNING  LIGHT









https://www.youtube.com/watch?v=IZY5gmj5GSQ
FUTURE MUSEUM TERRA












I MOVE TO HUNGARY TO EAT SOME SAUSAGES
I FLY TO THE SOUTH 
OF SPAIN




ARRIVAL FLOOR SETS WITH 

BLUE PANTS
BLACK SHIRT SHOES
ORANGE TAG
GREEN HAT
RED PEPPERS 
STONE FOR ACTION



















ARRIVAL SET GALICIA /////////
MEAT 109 RED PEPPER
BARBATE RING FOR BURIAL






DECEMBER 2016 WHITE HOUSE MÁLAGA ON THE WAY TO NERJA

















JULY 2017
RIGO GALLERY NOVIGRAD
CROATIA
https://antolloveras.blogspot.hr/2017/07/rigo-gallerycontext-as.html

ADRIATIC SEA

WITH SLAVIC MARIN

 TAXIDERMY SERIES











VESNAS GARDEN

















RJEKA HAS SOME FASCIST ARCHITECTURE




WITH DANINO BOZIC WE VISIT THE OPEN AIR STONE MUSEUM ISTRIA


















I MOVE TO ZAGREB
AUGUST 2017









I FLY TO MADRID
TO WORK ON A NEW COMPETITION 
08.2017

STORAGE


CITY IS HOT
I WORK ON A NEW DESIGN FOR A SQUARE
IN THE PERIPHERY OF MADRID


































IN DECEMBER 
I MOVE TO MÁLAGA AGAIN
TO WORK ON A NEW URBAN DESIGN


 CLASSIC BEACH SERIES






READY









I SHOW THW PIECE 
AT POMPIDOU MUSEUM MÁLAGA
WITH DANIEL BUREN


 2018 BEGINS 2018
BEST MOOD AND LOVE LOVE LOVE










MADRID
GALERÍA MAX ESTRELLA
CON LA RIBOT

















JANUARY
ESPACIO TABACALERA MADRID
SIN JEFE



WORK
WORK
MUSEUM BY THE WATER
NORWAY

2018 APRIL MADRID
WITH ELAFUR ELIASSON














IS MAY BRAIN IN ORDER
HAT BLUE JACKET
MEAT 655 666 
BRITISH FOLDERS RED BLUE CLASSIC





JUNE
FLY TO NORWAY 
TO BE A CRITIC AT THE THREE HOUSES
MASTERS COURSE AT THE ARCHITECTURE FACULTY 
NTNU TRONDHEIM









MÁLAGA 
JUNE 2018
THE CITY IS BRIGHT

 MÁLAGA WALK WALK DAYS


SPANISH BAR SERIES
EL MORLACO























ITS JULY 2018
I MOVE TO SWEDEN TO TAKE PART AT
INTERNATIONAL ANTI-SYMPOSIUM 
http://www.futureutopiacommunitykey.org/projects/anti-symposium/
UDDEBO 

BORAS

GOTHEMBURG



















LUND





















COPENHAGUEN











 I FLY BACK 
TO THE SOUTH
AND START TO GET READY FOR AUGUST IN THE WET NORTH
CLASSIC SUMMER AHEAD




>
THERMODINAMIC ESSAYS
>
FALL 2018 
https://antolloveras.blogspot.com/2018/10/fire-stone-watersummer-rituals-2018.html
BOGOTÁ
MÁLAGA



CÁDIZ 01.2019
















MADRID
CON CALVI SPANISH BAR
STRUCTURAL CONVERSARTION ON MUSIC AND INSTALLATION 
COLLABORATION SOON
 







RUMBO A CÁDIZ 
15.02.2019








EL TITI SAN FERNANDO













LA MUELA
 





 MARCH
SUPERNATURAL SERIES
https://antolloveras.blogspot.com/2019/02/cadiz-2019unstable-insallation.html
2019
























MÁLAGA MY FATHERS 69 BIRTHDAY
GREAT WALKS AND TALKS




























TRAFALGAR
MAREA BAJA






















http://antolloveras.blogspot.com/2019/03/supernatural-seriescadiz-suprematism.html
20 MARCH 2019
01 APRIL 2019









LONDON
BARBICAN SHOW 












TEACHING

 GETTING READY FOR THE NTNU TOUR IN MÁLAGA
AND THE SUMMER SYMPOSIUMS 
http://antolloveras.blogspot.com/2017/03/red-bag-2017-madrid-artnations.html

SUMMER TOUR

PROVENCE
https://antolloveras.blogspot.com/2019/06/up-riverprovence-2019.html
UDDEBO
http://antolloveras.blogspot.com/2019/03/uddebo-2019-anti-symposium.html
 CROATIA
 http://antolloveras.blogspot.com/2019/07/arterija-100istriacommunity-art.html


 
DUNA
BOKROS
RITUALS
https://antolloveras.blogspot.com/2019/08/iza-komarno-slovakiammxix.html










ATHENS
12.19





OMONIA
https://antolloveras.blogspot.com/2019/12/the-light-in-athens.html









NEW YEAR
WORKING IN ÁVILA 
IN THE RESTORATION OF AN OLD HOUSE FROM 1930
WITH A NEW STUDIO SHOP TO WORK
WEEKENDS IN MADRID
MADRID 20.02.14
GALLERY EVENING


https://antolloveras.blogspot.com/2020/02/marlborough.html



 BEFORE RENTING CAMAROTE
I THOUGHT THIS COULD BE MY STDUIO



GREY NET CLASSIC MOOD GREAT DAY





MARCH 2020
TIROL
https://antolloveras.blogspot.com/2019/11/innsbruck-2020-show.html







NARRATIVE
https://antolloveras.blogspot.com/2020/03/tirol-2020.html
COVID PANDEMIC BEGINS 




I MOVE TO ÁVILA


 


EL RECREO
  https://antolloveras.blogspot.com/2020/04/layers.html






TWINS 115
https://antolloveras.blogspot.com/2020/05/radical-simplicty.html
RADICAL SIMPLICITY
AFTER 100 DAYS IN LOCKDOWN I MOVE TO MADRID
 TO WALK THE CITY AGAIN














EL JACALITO
https://antolloveras.blogspot.com/2020/07/el-jacalitojavier-perez-aranda2020.html
JULIO 2O20










MEETING WITH VALVERDE
ABOUT HER HOUSE
SALA X




MADRID MNCARS MARIO MERZ
 UNDERGROUND











SIRERA VISITA EL RECREO 
JULY 20 2020


AROUND THE WALL
http://antolloveras.blogspot.com/2020/07/espadana.html
EVENING AND MORNING SERIES
http://antolloveras.blogspot.com/2020/07/show.html
DRY SUMMER









https://antolloveras.blogspot.com/2020/07/plaza-de-piedra.html
RIVER SERIES
JULY
 SEPTEMBER

I VISIT PIEDRAHITA WITH SIRERA
GOOD TALKS AND DRINKS

PREPARING THE RESIDENCE PROJECT FOR 2021











WITH ARTIST LEYRE MONTES
 

SEPTEMBRER 2020 TAXIDERMY IV
https://antolloveras.blogspot.com/2020/09/taxidermy-iv-recreo-2020.html 




FRAMELESS
RECREO
2020




SET
SET
 
FULL WALL BENDINGS
REJA REJA
 
SNOW
SNOW
SNOW
 
 
 
 
2021
VARADO EN LO CÁLIDO
 
 
 
 




 SUMMER 2021



 


RECREO 11.21




QK III


Cádiz 
es Un escenario Sabroso

D
O
B
L
E

C
A
R
A






LA GOMERA. CENTRO COREOGRÁFICO. 2022













RÉPLIKA TEATRO
2023
https://www.youtube.com/watch?v=OAoYa8JRp88





MÁLAGA BOTÁNICO

G
R
A
N
A
D
A






PALACIO DE CARLOS V




11.2023







YELLOW BAG is a dynamic art object that traverses through multiple contexts and geographies, serving as a Situational Fixer within the Unstable Installation Series by Anto Lloveras. Since its inception in 2014, it has acted as both a physical artifact and a symbolic element, linking disparate environments, narratives, and artistic interventions across cities like Madrid, Zagreb, Bratislava, Cádiz, and Lagos. This bag, often unnoticed yet present, embodies adaptability and transition. It captures the fluidity of movement and transformation within urban landscapes, bridging different cultural and spatial realities. Its journey—from beaches in Cádiz to urban centers in Prague—reflects the ever-evolving interplay of art, memory, and space. The Yellow Bag ultimately becomes a living installation, a mutable object that accumulates layers of meaning with each location it inhabits. It is a marker of artistic presence, resonating with the themes of displacement, ephemerality, and the uncanny.



en