RED BAG _______________POSITIONAL FIXER___MADRID MÁLAGA CORRENS UDDEBO MÁLAGA MADRID CITTANOVA BÓKROS ÁVILA GALICIA ITALY MADRID ATHENS ÁVILA MADRID EL ESCORIAL LAGOS,NIGERIA _______UNSTABLE SOCIAL SCULPTURE______________ ARTNATIONS________LAPIEZA 1070 LIPS______2017 2022_____________IN USE

 

A BRIGHT DAY 
DURING MARCH I BUY SOME VEGETABLES 
NEW RED SCULPTURES
LOVE                                  RED RED

BAG IS USED DAILY TO CARRY 
SOME COLORS
http://antolloveras.blogspot.com.es/2017/01/steamed-ritual-2017-artnations.html

I HAVE MOST OF MY MEETING AT EL IMPARCIAL    
SPACY AND ELEGANT  








+








       TERRACE 

 







I PASS BY MÁLAGA AND GALICIA

RED MEETS BLUE
http://antolloveras.blogspot.com.es/2014/08/blue-bags-2014-madrid-berlin-cadiz.html
CLASSIC TRANSLATORIAL

ALICIA Y FEDERIKA

TAPAS ANDALUZAS Y VINO BLANCO

 STEAM 053 MEAT 328








TRIPS AND MORE TRIPS
RED GET ACTIVE IN FRANCE 
JUNE 2019
http://antolloveras.blogspot.com/2019/06/symposium-correns-june-2019.html
 BY THE RIVER
 
https://www.youtube.com/watch?v=lMRJcrMtx1g&t=34s












































FLY
FLY

UDDEBO SWEDEN
ANTISYMPOSIUM 2.O

JAGATH WEERASINGHE

OSCAR DE CARMEN

SUPERNATURAL SERIES

http://antolloveras.blogspot.com/2019/03/uddebo-2019-anti-symposium.html ANTTI AHONEN

I FLY TO MÁLAGA
AND HAVE A MEETING IN ALGECIRAS WITH EVA
TO ACTIVATE TÓMBOLO

TÓMBOLO CONCEPT

http://lapiezalapieza.blogspot.com/2019/04/2019-currently-working-on-new-triennial.html

MADRID SO HOT

 MARÍA ENRÍQUEZ

INVITED TO FESYIVAL CITTANOVA ARTERIJA
http://antolloveras.blogspot.com/2019/07/arterija-100istriacommunity-art.html

LEO

BACK TO DUNA
IZÁ BOKROS
SUPERNATURAL SERIES

https://antolloveras.blogspot.com/2019/08/iza-komarno-slovakiammxix.html

ELISABETH MELKONYAN

SEÑOR AND HIS JOHN DEERE SERIES

https://antolloveras.blogspot.com/2019/09/senorjohn-deerebokros-2019.html

 

MAXIMAL MINIMAL

CLASSY DINNER 19TH CENTURY

https://antolloveras.blogspot.com/2019/09/poolmmxix.html

PRIVATE PERFORMANCE SERIES

SEPTEMBER 2019

BACK IN MADRID

MAKING PROPOSAL FOR AN OLD TRIPLEX HOUSE IN THE WALLED CITY OF AVILA

https://antolloveras.blogspot.com/2019/09/triplex.html

 

ESTEIRO 19.10.15



















WITH MARGOLLES
GIARDINI

MADRID
LUNES CAFÉ RUDA
KRAPOOLA

IFEMA
https://antolloveras.blogspot.com/2019/12/climate-srike.html

 MÁLAGA

19.12 

ATHENS

STUDIO CRISTOFFER DANIELSSON
https://antolloveras.blogspot.com/2019/12/the-light-in-athens.html
STUDIO XPA JAVIER PÉREZ ARANDA 

JANUARY > 45 NEGRADAS
MARCH > TIROL
APRIL MAY JUNE > AVILA
https://antolloveras.blogspot.com/2020/05/radical-simplicty.html
JULY > MADRID 

 EL ESCORIAL 2021

LA NIEVE

LA NIEVE 

 

 

 

L

A

G

O

S NIGERIA

http://antolloveras.blogspot.com/2022/09/lagos-nigeria-september-2022-biennial.html

THE CURRENT COLOR IS EXTENDING

THE TRANSLATORIAL - 

UNSTABLE CHROMATIC FIXERS -
ADDING BODIES AND ATMOSPHERES TO THE SERIES

++++++++++++
NO LEFTOVERS
http://antolloveras.blogspot.com.es/2016/01/brown-cadiz-supernaturalno-leftovers.html

The Red Bag project (2017–2022) by Anto Lloveras transforms a mundane object into a positional fixer, a mobile axis around which unstable geographies and social interactions revolve. Through repeated appearances across cities—Madrid, Lagos, Uddebo, Athens, Málaga—the bag functions as a performative artefact, both sculpture and situational marker, carried through everyday routines and embedded in public, private, and transitional spaces. Unlike static works of art, the Red Bag is always in use, collecting not only items but contextual residue: from colours and vegetables to symbolic weight. Each documented moment—whether a solitary stroll in a shadowed street or a silent presence at a café—extends the bag's socioplastic agency, marking territories with subtle interventions. Its recurring presence builds a narrative of itinerancy and affective memory, resonating with practices of dérive and site-responsive art. The bag’s bold chromatic identity becomes a visual constant amidst socio-spatial flux, while its trivial materiality challenges traditional hierarchies of monumental art. As Lloveras’ blog entries trace the bag’s journey through residencies, meetings, and encounters, the piece transcends objecthood to operate as unstable social sculpture (Lloveras, 2022). In an era of mobility, displacement, and fragmented relationality, Red Bag resists fixity, proposing a poetic method for reconfiguring presence through minimalist yet persistent action.

Lloveras, A. (2022) Red Bag: 2017–2022 Positional Fixer. [Blog] Anto Lloveras  http://antolloveras.blogspot.com/2017/03/red-bag-2017-madrid-artnations.html