GREY_____________LAPIEZA :: ART SERIES #131 ART SERIES #132

 

 

 

                     

 

Gray matter contains most of the brain's neuron cell bodies: it is found in regions of the brain involved in muscle control and sensory perception, such as sight and hearing, memory, emotion, speech, taking decision making and self-control.

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1518 EL INTRUSO http://antolloveras.blogspot.com/2022/10/el-intrus0-606-05-grey-mp4.html 1517 SCENES http://antolloveras.blogspot.com/2022/01/escenas20202022.html   1516 MEAT http://antolloveras.blogspot.com/2022/09/meat-825-lagos-pants-nigeria-2022.html 1515 HAT http://antolloveras.blogspot.com/2022/09/pan.html 1514 GREEN  BAG http://antolloveras.blogspot.com/2017/02/green-briefcase-social-installation.html 1513 RED BAG LAGOS http://antolloveras.blogspot.com/2022/09/jueves-13-septiembre-2022-set-red.html 1512 YELLOW BAG LAGOS http://antolloveras.blogspot.com/2022/09/yellow-tawafa-balewa-lagos.html 1511 BLUE BAG LAGOS http://antolloveras.blogspot.com/2022/09/bluegas-lagos.html 1510 TRIENIAL III http://antolloveras.blogspot.com/2022/05/trienaliiiurbanas.html 1509 COPOS LAGOS http://antolloveras.blogspot.com/2022/09/lagos-nigeria-september-2022-biennial.html 1508 CLIFFS http://antolloveras.blogspot.com/2022/09/wavesnatural-seriesalgarve.html 1507 BÓLIDO http://antolloveras.blogspot.com/2022/09/bolido.html 1506 BALCONY http://antolloveras.blogspot.com/2022/07/1510.html 1505 LINDO LINDE http://antolloveras.blogspot.com/2022/09/lindo-linde_23.html 1504 S http://antolloveras.blogspot.com/2021/08/s_4.html 1503 EN LA LÍNEA http://antolloveras.blogspot.com/2022/09/sin-limite.html 1502 PARADISE NOW http://antolloveras.blogspot.com/2021/12/labotanica2021.html 1501 EL BALNEARIO http://antolloveras.blogspot.com/2022/09/el-balneario.html

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7.- MINNET EYLEMEM

 

7.- MINNET EYLEMEM

The Continuity of Parks by Julio Cortázar

He had begun to read the novel a few days before. He abandoned it because of urgent business, then reopened it on his train ride back to the estate; he slowly let himself be drawn in by the plot and the character portrayal. That afternoon, after writing a letter to his attorney and discussing a matter of tenant farming with the butler, he returned to the book in the tranquility of his study, which overlooked the oak park. Settled in his favorite armchair, with his back to the door that would have bothered him with its irritating possibility of intrusions, he let his left hand caress the green velvet once and again and began to read the final chapters. His memory retained effortlessly the names and images of the protagonists; the novelistic illusion took hold of him almost immediately. He relished the almost perverse pleasure of letting himself detach line by line from what surrounded him, feeling at the same time that his head rested comfortably on the velvet of the high-backed chair, that the cigarettes were within reach, that beyond the large windows, the evening air was dancing under the oaks. Word by word, absorbed by the sordid dilemma of the heroes, letting himself go towards the images that took shape and acquired color and movement, he was a witness to the last meeting in the mountain cabin. First, the woman entered, cautious; now the lover arrived, his face scratched by the whip of a branch. Admirably, she stanched the blood with her kisses, but he rejected her caresses; he had not come to repeat the ceremonies of a secret passion, protected by a world of dry leaves and furtive paths. The dagger was warming against his chest, and beneath it, freedom crouched. An eager dialogue ran through the pages like a stream of serpents, and one felt that everything had been decided from eternity. Even those caresses that entangled the lover's body as if trying to hold him back and dissuade him, abominably sketched the shape of another body that needed to be destroyed. Nothing had been forgotten: alibis, chances, possible mistakes. From that moment, each instant had its precise role assigned. The double relentless check was barely interrupted for a hand to caress a cheek. It was beginning to get dark. Without looking at each other, rigidly bound to the task that awaited them, they parted at the cabin door. She had to go down the path leading north. From the opposite path, he turned for a moment to see her running with her hair down. He ran in turn, crouching among the trees and hedges, until he distinguished in the purple haze of twilight the avenue leading to the house. The dogs should not bark, and they did not bark. The butler would not be there at that hour, and he was not. He climbed the three porch steps and entered. From the blood pounding in his ears came the woman's words: first a blue room, then a gallery, a carpeted staircase. At the top, two doors. No one in the first room, no one in the second. The door to the drawing room, and then the dagger in his hand, the light from the windows, the high-backed velvet armchair, the man's head in the chair reading a novel.

MEAT 825 LAGOS PANTS NIGERIA 2022________________LAPIEZA 1516

 

MEAT SERIES

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http://antolloveras.blogspot.com/2014/09/meat-series-2014-madrid-marsella-berlin.html

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http://antolloveras.blogspot.com/2022/09/lagos-nigeria-september-2022-biennial.html

6.- MONTE PEDROSO

6.- MONTE PEDROSO

 

HIDDEN FORCES ::::::::::::::::::::: DUNES AND SUPREMATISM_________CÁDIZ

The “Hidden Forces” project is a conceptual land art series set in the dunes of Cádiz. It transforms graffiti-covered concrete into minimalist art using solid black rectangles, drawing on Suprematism’s geometric aesthetics. The intervention contrasts the organic dune forms and the stark black shape, symbolizing the tension between human impact and nature. As the winds and sands shift, these markings will inevitably fade, emphasizing the impermanence and invisibility of human presence. This ephemeral act becomes a dialogue between concealment and revelation in the landscape’s context.

FILM 60 SECONDS LOOP. HD VIDEO. 
https://www.youtube.com/watch?v=u4yw08z9Mws

CÁDIZ SUPERNATURAL SERIES
https://antolloveras.blogspot.com/2019/03/dunessandtags-2019-trafalgar.html DUNE

https://antolloveras.blogspot.com/2019/02/cadiz-2019unstable-insallation.html WHITE
https://antolloveras.blogspot.com/2019/03/hidden-forcesno-tagsuprematism-and-dunes.html

SANDSCAPES_______________________________BOLONIA CÁDIZ_______________________________SUPERNATURAL SERIES_____________LAPIEZA :::::::::::::::::::::::::THE WORD

CANVAS

DEEPNESS AND LIGHT ANGLE

ASSOCIATED SITUATION

NEARBY

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THE LIGHT ON THE RICE FIELD

http://antolloveras.blogspot.com.es/2015/11/the-ligh-on-rice-fields-vejer-cadiz.html

RELATED WORKS 

SANDTAGS 2014

http://antolloveras.blogspot.com.es/2014/08/zahora-02-sandscapes-2014.html   

F I R E W O R K S

http://antolloveras.blogspot.com.es/2014/03/fuegos-fireworks-tag-and-memory.html 

series of 10 sandscapes

LAPIEZA ////////// 1000

EXHIBITION #75 THE WORD

2016              *****

http://lapiezalapieza.blogspot.com.es/2016/02/the-word-exhibition-75-7th-season-2016.html

ME ACUERDO

Me acuerdo de buscar Pinups de los años sesenta en los P2P, antes de la nube, para llenarlas de fuegos. Me acuerdo de la instalación de video con 16 monitores en paralelo, con mis doscientos primeros copos. Solo-show. Me acuerdo del sofá arruga diseñado para Arco, y de los bidones para las revistas. Me acuerdo de salir en bici en la tarde por Chueca y llegar hasta el frescor del Retiro. Me acuerdo de la lámpara ducha que montó Mario, enganchada al carrito colador. Me acuerdo de las tardes dibujando con Christian, arrodillados sobre el mueble de los cuatro cubos y la alfombra Wilma. Me acuerdo de encolar las primeras 100 cajas que contendrían mis mil libros, y de leer cada noche en el mítico sofá sueco, en Blasco. Me acuerdo de la esbeltez de los pilares del edificio Trole. 

TROLE SPACESHIP >

http://antolloveras.blogspot.com.es/2016/03/trole-spaceship-madrid-south-white.html

URBANAS TEMPLE SERIES