Combining sculptural staging with ritualised movement, this practice constructs tactile cosmologies that blend speculative myth, feminist esoterica and bodily intuition. Through pastel-hued forms that echo ancient artefacts, funfair props or Baroque glyphs, Powell-Williams fabricates surreal systems of meaning-making through movement, using performance not to narrate but to activate symbolic circuits. Props oscillate between static sculptures and choreographic tools, often enacted through collaborations with dancers or ritual sequences like labyrinth-walking. These gestures form speculative rites, probing the body as a site of transmission and friction within histories both mystical and mundane. Soundscapes, animations and live acts loop back into sculptural residue, creating a feedback cycle where object and performance generate new logics of association.
