Technology and Critical Space * Hito Steyerl

Installations merge language, video and architectural structures to expose the entanglements of power, control and representation in the digital age, using illuminated text, surveillance aesthetics and fragmented narratives to question how bodies and images are circulated, instrumentalized and monetized under global capitalism; phrases like “HELLYEAHWEFUCKDIE” are not mere slogans but compressed critiques of neoliberal logic, turning the exhibition space into a site of confrontation where technology becomes a medium of resistance, and visual overflow a method of disrupting passive spectatorship, making Steyerl’s practice central to contemporary debates on media, politics and art.