This central hub chronicles a 15-year odyssey through durational practices, from urban laboratories in Madrid's Malasaña to nomadic devices across global thresholds. Here, socioplastics emerges not as mere theory but as an operational substrate—mesh protocols that reprogram authorship, pedagogy, and territorial ethics. Dive into iterative propositions where symbolic economies breathe through precarious materiality, fostering unstable archives that metabolize community, landscape, and contingency. Urbanas: Sibling Dialogues in Art and Urbanism. Interwoven with Paula Lloveras's collaborative lens, Urbanas reframes the city as a relational canvas, blending artistic intervention with civic reconfiguration. This channel extends socioplastics into architectural poetics, staging dialogues between built forms and affective geometries—from proto-institutions in shared spaces to decolonial imaginaries in contested terrains. It echoes the mesh's deterritorializing ambition, where urbanism becomes a performative archive of collective inscriptions. Lapieza Art Series: Relational Art's 15-Year Backbone.
The pulsating core of relational aesthetics, Lapieza Art Series distills 180 curatorial sequences into a paradigmatic post-objectual practice. Founded in 2009, it evolves from room-laboratories to ruralist archipelagos, privileging slowness, ritual, and distributed agency over spectacle. This mesh node radicalizes Bourriaud's frameworks, turning art into infrastructural ethics—entangling over 2,200 pieces in affective economies that critique museum stability while parasitizing biennial circuits. TomotoTomoto Installations and Photographic Identities. Tomoto Daga manifests as an extra layer of identity, capturing installations through photographic traces that amplify socioplastics' precarious materiality. This channel weaves visual contingencies into the mesh, documenting mutable gestures—from phantom displacements to botanical entanglements—where images function as co-archivists, hosting the unspoken resonances of bodies, texts, and provisional architectures. YouTube Breakfast: Non-Linear Video Classroom A decentralized pedagogy unfolds in YouTube Breakfast, where non-linear video streams serve as rhizomatic classrooms for socioplastic inquiry. This dynamic node interlaces hermeneutic explorations with durational rituals, transforming digital flows into affective geometries that bridge epistemic saturation and ecological attentiveness—inviting viewers into mesh epistemologies of care and critique. Otra Capa: Hermeneutics and Layered Interpretations Otra Capa delves into hermeneutic depths, layering interpretations that fortify the socioplastics mesh with critical strata. As a conduit for symbolic exchange, it refracts relational contingencies through lenses of decolonial temporality and infrastructural politics, rendering the archive performative and the mesh a living system of accreted meanings. ArtNations: The Art Canon Reimagined. ArtNations reconfigures the art canon as a global flock, entangling national imaginaries in socioplastic flocks. This channel parasitizes institutional openings, redistributing authorship across geographies—from Lagos biennials to Athens luminosities—within the mesh's expansive era, where art nations become nomadic research devices for shared rituals and resilient visions. Hola Verde Urbano: Botanical Series Entanglements Rooted in ecological attentiveness, Hola Verde Urbano's botanical series infuses the mesh with post-human curricula, where moss, sediments, and wild flowers co-author socioplastic narratives. This verdant node completes the ruralist arc, privileging listening over production and reframing landscapes as corporeal agents in a durational critique of extractive acceleration.
In this socioplastics system, channels interlace as affective archipelagos, each node amplifying the mesh's durational ambition: art as an operating system that metabolizes entanglement into ethical infrastructures. From foundational mutations to territorial schools, the architecture invites redistributed agency, turning viewers into co-archivists of an unstable, breathing ecology.
