Socioplastics redefines the architecture of cultural knowledge through a dynamic system that merges deep historical memory with contemporary fragmentation, functioning not as a fixed archive but as a Cultural Operating System capable of processing, recombining, and re-signifying symbolic content across diverse fields and temporalities; instead of a linear historical model, it proposes a modular matrix of interlinked series, where figures like Imhotep, Yuk Hui, or Legacy Russell coexist structurally within a non-hierarchical cartography that treats art, architecture, sound, theory, and spatial design as interdependent nodes in a high-resolution epistemic ecosystem; at the heart of this system lies the metaphor of the “Universal Sponge”, a porous and absorptive structure aligned with a Trans-Indigenous paradigm and an Infrastructure Pantheism, where knowledge circulates through relational networks rather than being contained within isolated objects, challenging the vertical authority of the Western canon and allowing transversal dialogues in which, for example, a biennial in Dakar holds the same epistemic weight as a European cathedral, or a post-minimalist sonic practice reshapes strategies of urban resistance; this system is not abstract—it is enacted through more than 1,300 interventions under the evolving platform LAPIEZA, unfolding across geographies like Madrid, Berlin, and Lagos, giving form to what Lloveras calls the United Nations of Art, a speculative, relational institution that privileges fluid practices over static forms, and networked meaning over isolated genius; thus, Socioplastics becomes not just a curatorial model but a living proposition for rethinking how culture is encoded, transmitted, and activated, offering an alternative operational logic grounded in complexity, hybridity, and planetary consciousness. (Lloveras, A, * 2020) Explore the system at antolloveras.blogspot.com socioplastics, cultural systems, trans-indigenous, pantheism, epistemology, canon critique, infrastructure, contemporary theory, lapieza, modular knowledge
