Cosmotidiano * Mutable collectives and planetary intimacy * SOCIOPLASTICS

Cosmotidiano is a socioplastic installation and living process conceived by Anto Lloveras, first activated at the Centro Comarcal de Humanidades Sierra Norte in 2012 as LAPIEZA Exhibition #49. Positioned between domestic architecture, ephemeral art, and mutable collectivity, the work operates as a shared habitat in continual flux—part shelter, part relational sculpture—where daily gestures become planetary rituals. Built collaboratively by Eduardo Cajal, Regina Fiz, Tomoto, and Hectruso, El Intruso, among others, the installation unfolds through layered acts of spatial reconfiguration: hay bales, citrus peels, light, plastic mesh, and shadows form a fluctuating scenography that embraces permeability, process, and co-presence. Cosmotidiano rejects the binary of private versus public, proposing instead a transitory ecology of being-with—an intimate infrastructure where the quotidian expands into cosmopolitical territory. The work exemplifies socioplastics at its most immersive: the collective not as static form, but as situational tissue that binds materials, bodies, and atmospheres into a lived topology of care. As a "United Nations of Art" in miniature, Cosmotidiano is not just an exhibition but a test site for new social anatomies, where the home becomes a portal to the planetary, and matter speaks in soft loops of transformation. (Lloveras, A. 2010–2025) https://antolloveras.blogspot.com  – domestic installation, socioplastics, collective habitat, mutable architecture, ephemeral art, cosmotidiano, spatial ritual, relational art, participatory scenography, United Nations of Art