Double Sided, a durational performance and film series co-authored by Anto Lloveras and Mateo Feijoo, operates through a tensile choreography of minimal gestures, where two performers inhabit a split stage and two non synchronized screens, reflecting each other without collapsing into perfect symmetry; each body echoes the other with slight delays, deviations, or distortions, creating a visual field that is both haunted and alive, where the aesthetic is less about form than about rhythmic drift, conceptual resonance, and perceptual difference; inspired by Beckett’s dramaturgy, 1960s minimalism, and Preciado’s corporeal theory, the series strips away expressive excess to reveal the bare architecture of presence, allowing repetition to become a site of subtle transformation; through standardized costumes and modular scenographies, the performances frame a pedagogical space where stability is tested and nuance is amplified, producing not answers but a syntax of attention; here, duality is not conflict but a mode of learning—a mirrored space where every gesture carries its own echo, every silence its own weight, and every body its own method of remembering. (Lloveras, A. 2010–2025) 🔗 antolloveras.blogspot.com
