The Yellow Bag Series is a decade-long socioplastic ritual, a portable ecology of presence that traces affect across borders, markets, seasons, and memory. Neither sculpture nor product, the yellow bag functions as a situational fixer—a vessel for soil, seeds, salt, or silence—activating micro-archives of care from Madrid to Lagos. Its color vibrates like a signal flare; its gesture is minimal but precise: collect, carry, offer, transform. Over time, the bag becomes a relational device, embedding itself in geographies as a soft infrastructure of repair. Installed in homes, museums, streets, and farms, it refuses aesthetic fixity, instead privileging use over display, ritual over representation. The yellow bag reminds us that art can be nomadic, sustainable, and tender, that a single object—when attuned—can hold the emotional weight of a continent.
