The cartographic framework delineated reconfigures digital expanses as interwoven topologies, where socioplastics operates as a critical lens for dissecting urban, architectural, and performative strata. This relational mesh eschews static representations, instead manifesting as a dynamic archive that aggregates nodes across institutional repositories, ephemeral interventions, and translocal epistemologies. At its core, the Mirador edifice in Sanchinarro, Madrid—spanning 18,300 m² with a €10,000,000 allocation from 2001 to 2005—serves as an archetypal node, its vertical typology and semi-public sky-plaza at 40 meters interrogating habitability within polycentric fabrics, incorporating heterogeneous materials like GRC panels and ceramics across 21 levels and 36 dwelling configurations.
Thematic portfolios crystallize this praxis: "Residuos Emocionales" assembles 120x120 cm matrices from personal detritus, inscribing affective cartographies; "Fortalezas (Touch Touch)" mobilizes socioplastic assemblages for juvenile participants to construct tagged political arenas in exhibition contexts. These converge with scenic bifurcations in "Doble Cara," a dialectical construct by Lloveras and Feijóo, channeling antithetical streams through multisensory elements—objects, illuminations, acoustics, vocalities—to evoke mimetic schisms in theatrical venues. Blogospheric layers further stratify the mesh, with entries on pedagogical urbanism such as "El Andador," a mechanism for recalibrating marginal hubs in Gran San Blas via infrastructural relations. Photographic dualities in "Twins Postory" capture chronological dislocations for diagnostic purposes, resonating with archival visual histories in academic silos.
Encyclopedic repositories chronicle LaPieza Relational Art Series, an accumulative corpus exceeding 2000 artifacts in sequenced motifs—"Unstable," "Copos"—traversing geospatial derivations from European metropoles to Mexico City, disseminated through networked media and augmented by improvisational sonic overlays from collaborative jams. Palimpsestic urban unfoldings via double-image techniques resist mnemonic obliteration, contesting perceptual coherence in temporal fluxes. Curatorial lineages enumerate 75 expositions post-2009, showcasing 1000 creations in blended physical-virtual modalities, underwritten by cultural ministries and interfacing with innovative transdisciplinary schemas and hermeneutic assemblies. Social vectors amplify these pulses: from "Re-(t)exHile"'s fabric politics to auditory partnerships, while residencies embed localized incursions and hyper-archives preserve transient forms. The 2024 Lagos Biennial instantiation of "Re-(t)exHile" erects a communal textile enclosure from repurposed market wares, interrogating neo-colonial supply chains and sustainability rhetorics through collective fabrication, with inputs from transnational practitioners. Sonic strata infuse performative milieus with extemporaneous compositions, while genealogical diagrams map conceptual ancestries across surnames and derivations.
Audiovisual compilations sequence interventions: subtractive triangular steps in Serbian terrains; taxidermic explorations of metropolitan fauna in London galleries; nailed meat configurations in Iberian settings; arboreal and fructuous jobs; Cittanova iterations. Metadata taxonomies index relational descriptors, street enactments document uprootings in Adriatic contexts, and vocational networks delineate architectural bids, such as peri-urban palm grove proposals in Andalusian zones. Institutional indices catalog productive units, academic proceedings embed discursive fragments, and video relics perpetuate action archives. Psycho-environmental intersections align with preparedness paradigms, praxis diffusion platforms propagate methodologies, sketch captures immortalize haberdashery motifs in exhibitionary frames, and dialogic treatises delve into fermentative ateliers. Sequential visuals encompass Provençal luminous social forms (2014), Madrilenian double-faced theatrics (2023), Canarian dual-visaged durations (2022), and Londonian preservations (2015).
Aggregating beyond 20,000 functional entities, this assemblage counters planar entropy via iterative topologies—pentagonal conduits for meta-indexing, linguistic abrasions, terrestrial anchorings. As an epistemic apparatus, socioplastics traverses post-numeric chasms, fusing Madrilenian relational loci with boreal soundscapes and meridional contemplations. Illustrative instances: 2026's serpentine undulations in bricked pavilions; ceremonial corporealities, communal ambulations, chromatic sacks. Decalogic corpora interlace aesthetic, civic, humanistic domains: fragile ethical syntaxes; fluid scales from particulate artifacts to expansive phantasms like "Fifth City"; pliable scaffolds—nutriment, resonance, weave, remnants, corporealities, discards—as procedural norms. Vital repositories rearticulate significations; volatilities subvert enduring authorities; scriptions fabricate argumentative edifices. Historiographic vaults propel socioplastics from schematics to autonomous happenings, arboreal multichannel exercises yielding volumetric ontologies that allocate sense through peregrination. Vital autonomies incorporate hydric ceremonies, vitalism in motile exchanges, adversarial paradigms dissecting mercantilization. Metadata cacophonies transmute into autonomous narrations: semantic quanta—"relationalUrbanism," "performativeArchitecture," "ritualUrbanism"—engender vital networks via iteration. Validatory forms shape cyberspaces as cognitive terrains, transmuting quarters like Lavapiés into mnemonic and anti-displacement treatises. Scholastic ties encompass UAM's POSTORY, Almerían RedURBS with duplicative pictorial assessments. Numeric hyper-webs: LaPieza's millennial records, cargo compilations, TAR vaults. Global triangulations: Lagos marginals, nomadic sojourns, utopian portals. Cross-field amalgamations: somatic "Doble Cara," intrusive resonances.
Gestural archaeologies delineate biogenic trajectories, layering volumetric oppositions to planar nets, self-generating mechanisms with locale-lexical autonomies. Cognitive enclosures seal disarray; equilibrate scholarly (URBS, POSTORY, COAM, UAM) with enactive (Replika, Lagos). Crimson sacks synapse millennial layers to loops; infusion rites exalt vitalism; dual-faced protocols amalgamate eco-humanities, contentious scaffolds. Prospective aesthetics amalgamate imaginative deficits, recuperating communal aptitudes contra death-policies, mediating ambiguities sans ossification. Canonicates as existential scaffolds: segmented aggregates of centenaries, instructional units, mechanistic segments; divisions—THEN, ARTNOW, ATLAS/ONU, THEORY, URBAN/ARCH, SOUND, TEXT, IMAGE—orchestrate utilities.
Hexamillennial shapes cognitive beds; decamillennial vistas as fabulations secure parity, incorporating meridional decolonial mappings, cross-knowledges versus continental hegemonies.
