::::::::: SOCIOPLASTICS : VECTORS ^ Crossroads Between Architecture, Relational Art and Performativity

Thursday, January 22, 2026

VECTORS ^ Crossroads Between Architecture, Relational Art and Performativity

Anto Lloveras’s work traverses architectural design, urban theory and relational art with a consistent emphasis on the city as a folded, inhabited text, exemplified in the Mirador project in Madrid where MVDRV’s architecture creates layered thresholds of social encounter (MVDRV, n.d.) and unpacked in Blancalleo’s analysis of the Edificio Mirador as a manifesto of urban permeability (Blancalleo, n.d.), while her artistic ventures — documented through her archival portfolios and blog — articulate a practice in which space, performance and discourse coalesce (Lloveras, n.d.; Postoryuam, n.d.); her curatorial and performance work with La Pieza / Relational Art Series further demonstrates a commitment to socially engaged processes that reframe spectatorship and participation (Revista Replicante, n.d.). Lloveras situates her projects within dialogues on environmental psychology and urban complexity, reflecting on the city’s “desdoblamiento” or doubling of experience (UAL RedURBS, n.d.) and contributing to international platforms such as Lagos Biennial’s exploration of outsider perspectives (Lagos Biennial, 2024). Her practice is networked across platforms — from Instagram chronicles of ongoing research to collaborative performances and published essays — revealing a theoretical rigour and creative agility that challenges conventional separations between architecture, performance and community engagement, offering instead a fractal practice attentive to relational densities and the poetics of space (Nomada IR, 2016).