YELLOW BAG ______________________ SITUATIONAL FIXER ______________ ARS VIBRATTUM _____________________ MADRID CROATIA PROVENCE MADRID BRATISLAVA PRAHA GALICIA MADRID GALICIA SLOVAKIA CÁDIZ MEXICO CÁDIZ MADRID VIENA SERBIA CADIZ GALICIA MÁLAGA CROATIA GALICIA MADRID MÁLAGA MADRID TRONDHEIM MÁLAGA SWEDEN GOPENHAGEN NEGRADAS MADRID GALICIA CÁDIZ MADRID CÁDIZ LONDON IZÁ ATHENS TIROL ÁVILA MADRID EXTREMADURA MADRID ÁVILA EL ESCORIAL CÁDIZ LA GOMERA LAGOS MADRID MÁLAGA GRANADA XILLOI MÁLAGA VALDEMANCO BARBATE MÁLAGA A CORUÑA COMPOSTELA MALLORCA______________________________ 2014 2026 __________ IN USE

The YELLOW BAG acts as a contextual absorber by blurring boundaries between object, ritual, and witness: in urban environments (Madrid as recurring synthesis node), coastal (Cádiz, Málaga, Galicia), or transitional (Norwegian fjords, Atlantic dunes), it reflects transience, ephemeral presence, and the potential of emptiness. Its constant yellow color contrasts with mutable outfits (black, green, brown) and parallel series, amplifying adaptability. In 2025, after activations in Málaga, A Coruña, Compostela, and Mallorca (Fundación Joan Miró), the bag continues its trajectory as a living sculpture, integrating recent lights, sands, and narratives without added material complexity. Resource Minimization in Art. This resource minimization defines the socioplastic essence: a processual, relational, and decolonial art that prioritizes gesture, displacement, and collaboration over accumulation. The Yellow Bag is neither tool nor finished work, but a mutable node generating microscopic ecologies with the minimum—a body, a path, a container. Its emptiness is infinite potential: absorbing Madrid heat, Prague cold, Cádiz salt, or Galician earth, transforming them into geopoetic vectors. As of December 2025, after eleven years of continuous use, it remains active as a silent ritual of nomadic presence, proving contemporary art can be radically simple, sustainable, and deeply contextual. No leftovers. Love love. Socioplastics is a transdisciplinary practice developed since 2010 that converges art, architecture, and epistemology into nomadic rituals and reparative gestures. At its core lies the Yellow Bag — a situational fixer that has traversed continents, collecting seeds, sand, leaves, and fragments of presence, transforming everyday contexts into living social sculptures. This unstable collection offers no finished objects, only portable memory, a geopoetic archive of displacements, and a minimal set of reactivable protocols. Donated as an act of affective repair, it invites museums and networks to become active nodes rather than passive containers. Each reactivation — carrying the bag, drawing a circle in sand, performing a subtle subtraction — generates new constellations of shared memory and embodied coexistence. In an era of ecological crisis and digital saturation, Socioplastics proposes a quiet resistance: presence over possession, process over product, relational instability as a form of care.