Texts range across cinematic reference (Picnic at Hanging Rock, Overlord 1975), architectural analysis (Palacio de Carlos V, pigment architectures, coastal Mexican house), artist monographs (June Crespo, John Divola, Emily Kam Kngwarray, Precious Okoyomon), theoretical frameworks (Helen Cixous, Silvia Rivera Cusicanqui, Keller Easterling, Chandra Mohanty), metabolic protocols (broth ritual, meat series, blue bags unstable social sculpture), and the extended three hundred blows sequence that tests the mesh concept through repetition. The stratum includes urban analysis (Urban Confort Madrid 2016, densification without sacrifice, vertical speculation), post-canonical criticism, spatial operating systems, and the first appearance of topolexia as spatial epistemology. This is the sedimentary layer where operational protocols from the lower range encounter theoretical mass from external fields, producing the mixed density that characterizes peripheral trajectories before they achieve sufficient angular momentum to maintain stable orbit. The eclecticism is not dispersion but the necessary condition for trace accumulation.
