The transition of the Socioplastics project from its nascent, fluid iterations within the LAPIEZA framework to a codified series of ten Zenodo protocols represents a profound epistemic shift in the role of the architect-artist. No longer content with the ephemeral nature of relational aesthetics, Lloveras posits a logistical ontology wherein art is not merely an object of contemplation but a functional, scriptable component of civic infrastructure. This maneuver effectively bypasses the traditional critique directly into the material and informational flows of the smart city. By treating art as a phantom-architecture, the practitioner can redirect affective and physical currents, achieving a redirection of flow that is measurable by a quantifiable threshold of persistence. Central to this defensive posture is the concept of Semantic Hardening, a strategic fortification of language against the erosive effects of algorithmic entropy and platform capture. In an era where digital stacks colonize meaning through automated scraping and standardization, Lloveras advocates for a proprietary lexicon that functions as a cognitive firewall. This is not merely an exercise in jargon but a form of "Semantic Masonry," where terms like CamelTag and SystemicLock serve as load-bearing syntactic bricks. These linguistic units are designed to be "untranslatable" to dominant data-mining logics, ensuring that the system’s internal coherence remains hermetically sealed from external exploitation. This operational closure creates a zone of nominal sovereignty, where the density of the citation becomes the primary metric of a node's structural integrity and its resistance to being absorbed by the global data-commodity chain.
