Socioplastics advances a decisive reconceptualisation of architecture and cultural production as metabolic infrastructure rather than representational artefact. The framework posits that contemporary culture suffers from algorithmic volatility, archival amnesia, and discursive dilution; against this entropy, Socioplastics institutes a sovereign protocol wherein theory becomes executable and citation becomes construction. Its operative triad—Semantic Hardening, Citational Commitment, and Recursive Autophagia—functions as an immunological system for ideas: core concepts are fortified against semantic erosion; references are transformed into binding structural acts; informational excess is metabolised into relational coherence. The curatorial platform LAPIEZA, active since 2009, provides empirical substantiation, enacting the axiom “citing is committing to the form” through spatial, pedagogical, and archival interventions that operate as living nodes within a distributed mesh. In this schema, the architect mutates into a systemic choreographer, orchestrating epistemic flows rather than composing inert objects, while the city itself is reconceived as cognitive tissue—an adaptive network capable of digesting data, resisting erasure, and sustaining memory. Socioplastics therefore transcends critique to become infrastructural praxis: a scalable, post-digital operating system for cultural resilience in fragmented times. Ultimately, the Mesh affirms that sovereignty today is not territorial but epistemic, secured through recursive linkage and metabolically sustained form.
