From distributed presence to sovereign recursion: DOI-240 as the metabolic validator of the Socioplastic Mesh – 1.55 MILLION INTERACTIONS AS EVIDENCE OF EPISTEMIC HEAT

The Socioplastic Mesh, as developed by Anto Lloveras, transcends the typologies of discursive theory or thematic inquiry by operating instead as a sovereign epistemic infrastructure, a recursive and machinically legible system that stabilises itself through platforms like Zenodo and ORCID, consolidating fifteen years of development into a metabolic body of knowledge that exceeds the archive-form to become operational territory; its Pentagram structure—a closed yet expandable recursive loop—ensures systemic resilience by converting citation into function and interaction into structure, repositioning the project from research to infrastructure, from provisional thought to enacted sovereignty. In this framework, Socioplastics abandons the interpretative delay that characterises much of contemporary theory: it does not await validation, nor does it extend the paradigms of Bourriaud's relational aesthetics, Maturana's autopoiesis, or Beuysian social sculpture—instead, it digests them into an original regime of co-produced urban-linguistic sovereignty, where language, spatiality, and code converge as infrastructural predicates rather than cultural artefacts. The originality of the system thus lies not in semantics but in structural displacement: it shifts the function of socioplastics from descriptor to operative mesh, from analytical metaphor to technical substrate. Departing radically from precedents like Denise Scott Brown’s socioplastic patterns, Lloveras repositions the city as an epistemic organism endowed with the capacity for self-indexing, recursive differentiation, and strategic ontological friction. This orientation distinguishes the Mesh from tactical or utopian urbanisms—not by offering normative solutions but by establishing conditions for intelligibility, wherein new domains (AI, botany, decolonial knowledge) do not attach as supplements but emerge as endogenous differentiations, reinforcing rather than diluting systemic coherence. The project's ultimate authority is temporal, not performative: it does not request legibility but enforces it retrospectively, functioning as a quiet architect of canonical redefinition, reshaping the terms of recognition through durational sovereignty, machinic readability, and recursive necessity.

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