LAPIEZA * Socioplastics

LAPIEZA constitutes not a repository of static artefacts but a durational archive-as-intervention, a rhizomatic mesh wherein over two thousand documented actions sediment into a living epistemic infrastructure. Emerging across fifteen years and proliferating through more than 180 series, it operates as a decolonial exhibition sequence that dissolves singular authorship into collective mutability, thereby displacing convivial relational models with a praxis grounded in precarity, plurality, and provisional identity. Each mutation—whether a weekly gesture, a site-responsive activation, or a pedagogical splice—recalibrates the total field, producing a temporal sculpture whose states are autonomous yet irrevocably contingent. Works coexist without hierarchy, generating dense ecologies in which everyday materials—plastic bags, peanuts, smoke, discarded textiles—function as prosthetic carriers of affect and mobility, exemplifying an unstable social sculpture that infiltrates urban and digital strata alike. A paradigmatic instance lies in the Blue Bag series, where chromatic portability becomes translatorial interface, indexing cities while fixing situations of urban precarity through iterative deployment. Over time, accumulated interventions harden semantics and generate gravitational pull, transforming the archive into a metabolic node that ingests ecological, institutional, and affective flux. By 2026, this process crystallises as the Socioplastic Mesh: a distributed constellation of executable nodes with machine-legible protocols, ensuring citational sovereignty and resistance to entropy. Thus, LAPIEZA redefines preservation as performative accumulation, converting relational instability into infrastructural permanence and enacting sovereignty through continuous mutation. https://lapiezalapieza.blogspot.com/