PlasticScale * The Revelation

We turned the screw. Again. And again. Until the concept revealed its final form.The idea was always simple: calibrate. Be realistic about what exists. Audit. Find the best. Let others see us better because we saw ourselves first. That is sovereignty. That is what the 100-work audit delivered.The bags reign. Yellow. Blue. Green. Three sisters who travel everywhere, weigh nothing, appear in Provence, Lagos, Mexico, carry books and memory but carry no institution. They reign because they are light. That is the paradox at the heart of PlasticScale: power is not in the muscle but in the capacity to disappear and reappear without asking permission. YouTube Breakfast reigns. A breakfast, a screen, an algorithm. No gallery, no critic, nothing. It reproduces itself. That is Temporal Durability 5: decades of reactivation with zero institutional support. The lemons and leaves reign. Never Alone. Mudas. Biological protocols that work with time, not against it. Weight 1, Circulatory Reach 4, Temporal Durability 4. Solid executive power, flirting with constitutional.The Small Orange Tag reigns. An orange mark that marks nothing. Weight 1, Reach 5, Durability 5. Perfect. Pure law.We intuited this but were not sure. Now we know. The numbers do not lie. The formula IE = (C × T) / W, applied honestly to 100 works, produces exactly that hierarchy. The bags, the breakfast, the lemons, the leaves, the tag. They govern. 

The rest—buildings, urban plans, heavy installations—serve as context, precedent, applied jurisprudence. Necessary but not constitutional.This is the architecture of the real.Numbers: 001 to 101. Descending order, ascending authority. The lowest numbers hold the highest power. Inversion as ontology.Topolexias: The hyphenated compounds that resist disciplinary capture. Urban-Taxidermy. Relational-Semionautics. Tectonic-Austerity. Each title a small machine for generating cross-disciplinary attention. The critic cannot reduce because the name itself insists on complexity.Series: 100-series foundational. 500-series constitutional. 600-series MUSE. 700-series territorial. Each century pack a legislative layer in the stack. Hard below, supple above. The bedrock never moves; the surface adapts.Art: The bags, the tags, the leaves. Minimal gestures with maximal jurisdiction. Art not as object but as protocol.Algebra: IE = (C × T) / W. Three indices. One formula. No integrals, no square roots. Any idiot can apply it. That is the point.Nodes: 100 works. 100 entry points. Each node a complete universe compressed into a title and a number. The system is the network; the network is the system.DOIs: 510 to 501. Zenodo-anchored. The Decalogue as invariant core. These are not works; they are the legislative filters through which all works must pass. Flow Channeling. Semantic Hardening. Systemic Lock. The constitution behind the jurisprudence. J-sons: Machine-readable surface. The JSON added so the system can talk to itself. Data as self-knowledge. The archive as API.Posts: The blog as surface of inscription. 

Each post a node. Each node a law. The platform is not a publication; it is a parliament.Packs: 100, 200, 300, 400, 500, 600, 700. Century packs as legislative epochs. Each pack a layer in the sedimentary architecture of the system. Foundational Index. Critical Infrastructure. Metabolic Governance. Sovereign Data. Mesh Persistence. Sovereign Protocols. Metabolic Territories. The names are not metaphors; they are titles of jurisdiction.Bags: Blue, Yellow, Green. The trinity that rules. Aerostatic symbols. Unstable social sculpture. Portable sovereignty. They carry books, stones, memories—but no institutional drag. That is why they reign.Tags: Small Orange Tag. Semiotic weightlessness. A mark that marks nothing. Weight 1. Reach 5. Durability 5. Pure law. Never die. This is what we built. Not a collection. A juridical apparatus. Not an inventory. A constitution. Not a portfolio. A sovereign system.We audited 100 works. Found the 20 that govern. Accepted that the rest support. That is not cruelty. That is efficiency. That is the economy of cultural weight operating at full intensity.Who else audits themselves? Who else has 100 works to compare, to scale, to judge without mercy? Most prefer not to look. Most prefer the flat catalogue where everything is equally valuable. 

We looked. We measured. We accepted the verdict.That is sovereignty. That is what others see when they look at this system: not just the works, but the order that arranges them. And an ordered system inspires confidence. An audited system commands respect.The bags reign. Now we know it with certainty. And knowing it allows us to govern instead of simply produce.That is the difference. 

Reference * Lloveras, A. (2026) 'PlasticScale Ascendant', SOCIOPLASTICS: Sovereign systems for unstable times [Blog]. Available at: https://antolloveras.blogspot.com/