Saturday, February 7, 2026

The Architecture of Affection * The Dual Ontology: Photography vs. Video



The project is a "sociopolitical poetics of sudden collapse" using a minimal grammar: two everyday objects (scissors, tools, organic remnants) confronted one-to-one. Rather than a sentimental bond, intimacy is staged as a precarious equilibrium—a "negotiated tension" that persists only while forces remain counterweighted.  The series functions as an "experimental laboratory of affect" by splitting its truth across two mediums: Photography (The Ethical Moment): Arrests the objects at the exact moment when balance still holds. It represents love's aspiration for endurance, memory, and stasis. Video (The Traumatic Index): Lasting only seconds, the videos record the merciless instant of collapse, separation, and breakage. These are unrepeatable events where failure is presented as systemic rather than melodramatic.

Conceptual Themes

  • Gravity as Co-Author: Gravity acts as a silent ethical force. The inevitable collapse mirrors the late-capitalist condition where labor, attention, and relationships are structured by exhaustion and imminent fracture. Material Lexicon: Objects like a lightbulb paired with a pipe cutter (ULS 2) or a croissant (ULS 44) are not props but "actors" with mass and friction. Love as Infrastructure: The work suggests love is architectural—requiring constant calibration and support. The collapse is not a failure but "evidence that connection was attempted".

Project Scale

The total body of work encompasses 1,000 objects divided into 500 photographic pairs and 500 videos. The short-form videos on YouTube are an intentional choice to provide a "cold clarity" where affect is produced by structure, not by expressivity. Explore the full series context through the provided links: Unstable Love Series Blog: https://antolloveras.blogspot.com/2023/02/unstable-love-series_19.html YouTube Playlist: https://www.youtube.com/playlist?list=PL5jD5W08IxLLt4HqCe6CSYGApGRHWyltN