Art projects here are conceived as events rather than objects, precarious architectures of time that activate relation, vulnerability, and collective presence. Each work unfolds as a situational experiment: half ritual, half provocation, operating at the edge between sculpture, performance, and environment. Materials—whether soil, fruit, textiles, plastic bags, or concrete—are not chosen for permanence but for their capacity to decay, transform, and implicate the body of the viewer. The works resist commodification and instead rehearse affection, instability, and encounter. A house filled with earth becomes a temporary dwelling for intimacy and isolation; a red bag or a yellow briefcase wanders the city as a situational fixer; ritual actions unfold in water, fields, and plazas where the line between art and life collapses. These projects insist on fragility not as weakness but as method: ephemerality becomes political, proposing forms of art that live only through participation, memory, and transformation. Art projects often emerge from collaboration and improvisation, entangling dancers, musicians, and passersby into the field of work. The city itself frequently becomes the final installation, with streets, bars, and plazas transformed into relational devices. The logic of the studio dissolves, replaced by a dispersed laboratory where each project is simultaneously documentation, performance, and conceptual essay. In their diversity—rituals of food, subtractive cuts in furniture, temporary shelters, chromatic landscapes—the projects maintain a constant concern: to test how art can alter the metabolism of daily life, how it can puncture the ordinary with a gesture of strangeness, tenderness, or resistance. They perform critique not through distance but through embodied action, demanding that spectators also become participants in the unfolding of meaning. What emerges is an art that is never complete, always in flux, marked by the rhythms of context and relation. It proposes the artwork not as finished entity but as unstable catalyst of transformation, situated in the fragile territory where collective imagination takes form.
