The trajectory of Anto Lloveras, establishes a distinctive artistic methodology rooted in seriality as method and repetition as conceptual validation, having generated over 500 autonomous yet interconnected ideas ranging from buildings, interiors, objects and ephemeral installations to furniture, exhibitions, graphic works, performances, lectures, and video pieces; rejecting monumentality in favour of a situational, relational and process-based condition, Lloveras constructs a body of work that resists closure and embraces drift, treating each project as an open module within a distributed ecosystem of series; these series—Socioplastics, Unstable Installation Series, Subtraction Series, COPOS, Kingdom, and Relational Batches, among others—operate as conceptual archipelagos with their own internal logic, yet remain porous to reactivation, displacement and mutation, always responding to the specificity of site, temporality and social context; far from composing a taxonomic inventory, this accumulation of serial entries forms a living matrix, in which ideas are tested, reiterated, withdrawn or repurposed, leaving a mobile yet persistent imprint across an expanded archive of relational practice; from early urban actions to recent investigations into spatial pedagogy, climate justice and affective residues, Lloveras has sustained a critical methodology that eschews authorship as fetish, prioritising instead the assemblage of conditions, the intensive activation of archival material, and the construction of relationships as form, where ephemerality becomes not a symptom of scarcity, but a deliberate aesthetic and political strategy.
