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A compact territory of forms, this study model reduces architecture to its essential gestures—volume, edge, and proportion—using the human figure not as ornament but as an instrument of scale and vulnerability. The clustered prisms and pointed peaks create a symbolic landscape where the body negotiates intimacy and exposure, inhabiting a geometry that feels both protective and enigmatic. Rather than anticipating a final sculpture, the model operates as a site of inquiry, a spatial hypothesis about how form constructs emotion. In its minimalism, it becomes a rehearsal for presence: an architecture of silence where meaning emerges from the tension between abstraction and embodiment.
