A high-voltage structural language — a line that refuses obedience. In his paintings, the mark behaves like a restless thought made visible: looping, colliding, erasing itself, always on the verge of dissolution. The works gathered here extend that unruly energy into space. The knotted sculpture reads like a Wool drawing pulled into three dimensions, a scribble thickened into matter, a hesitation turned monumental. Meanwhile, the paintings echo this insistence: strokes that oscillate between accident and intention, graffiti impulse and painterly discipline. Taken together, they propose a thrilling redefinition of the doodle as a conceptual engine — not a casual sketch, but a site where doubt, speed and intuition coalesce into a fierce, skeletal abstraction. The line becomes not illustration, but infrastructure: a trembling architecture of thought.
