Turbulent, breathing ecologies where bodies and pigment wrestle for dominance. Her performers, layered in vivid paints and translucent skins, inhabit an environment of monumental canvases that seem to bleed into them, dissolving the border between gesture and geology. The result is a kind of urban shamanism stripped of cliché: a choreography of stillness and tension where colour becomes combat, ritual, camouflage and beacon all at once. Huanca’s abstract surfaces remain fiercely readable — not narratives but atmospheric scores — inviting viewers to experience painting as a sensorial field rather than an image. In these charged chambers, the body is both instrument and residue, a site of resistance and fragile revelation.
