Through an obsessive, textural use of line, this practice reclaims drawing as a site of speculative fiction, where identity is constructed rather than depicted, skin becomes a topography of narrative, layered with meaning beyond representation, rejecting realism in favor of invention, her figures exist within imagined aristocracies, alternate histories and intimate mythologies, positioning blackness not as subject but as authorial force, portraiture here is not likeness but world-building, where every mark inscribes agency, power and interiority, collapsing the boundary between image and story.
