A singular conceptual practice that destabilizes the ocular dominance of contemporary art through a radical reprogramming of the senses—especially smell and touch—as epistemological tools. Drawing from perfume, microbial life, and industrial materials, her work unfolds at the intersection of organic decay and technological speculation, forming ecosystems that are as unstable as they are political. Her installations often incorporate volatile matter—fermented kombucha leather, bacterial cultures, oxidized tempura flowers, or hormonal compounds—staging sensorial experiences that challenge the viewer’s biological comfort zones and introduce forms of knowledge alien to traditional cognition. Rooted in writing rather than sketching, her process leans on language to build the conceptual scaffolding of works that evolve like organisms, mutating through experimentation and cross-contamination.
