SOCIOPLASTICS treats space as relational and temporary: light materials, everyday gestures, and collective participation become tools to activate attention, care, and co-presence. Architecture appears here as an action—built, walked, carried, listened to—existing through time, use, memory, and repetition instead of permanence. Across its different lines—ephemeral architectures, relational devices, urban interventions, and platform-based ecosystems—each project functions as a node within the same living system. Objects such as bags, blankets, or briefcases operate as mediators; rituals recalibrate bodies and environments; the city becomes a performative field; and documentation acts as transmission, not closure. Socioplastics is thus an evolving archive: a transdisciplinary grammar where gesture becomes structure, and art becomes a quiet, adaptable infrastructure for connection.
Socioplastics, UnstableInstallation, SituationalFixer, PortableMemory, RelationalArt, MinimalArchitecture, SocialSculpture, ProcessArt, SiteSpecific, YellowBag, BlueBags, GreenBriefcase, SubtractionSeries, TaxidermySeries, DoubleSided, LaPieza, Urbanas, Nomadism, ArsVibrattum, GeopoeticArchive ephemeral-architecture, relational-art, social-practice, contemporary-art, conceptual-art, installation-art, performance-art, participatory-art, site-specific-art, public-space, urban-intervention, performative-architecture, experimental-architecture, architectural-research, artistic-research, critical-urbanism, social-sculpture, process-based-art, collective-authorship, care-ethics, cultural-ecology, sustainability, decolonial, postcolonial, everyday-life, memory, nomadism, ritual, walking-art, sound-art, mobile-archive, portable-sculpture, minimalism, subtraction, spatial-practice
