The practice of Anto Lloveras unfolds as an expanded research system where architecture, art, pedagogy, and critical theory operate interdependently, not to produce objects but to activate conditions: frameworks of perception, spaces of exchange, and care-based devices capable of revealing the cultural tensions of the present; grounded in a transdisciplinary position, Lloveras develops the concept of Socioplastics as an open methodology that treats the social as malleable material, shifting focus from object to relation, from outcome to process, from author to community; the work is conceived as symbolic infrastructure, a space where the political, affective, and territorial can be reorganized, redefined, and felt; central to his approach is a trans-indigenous paradigm that challenges inherited binaries—nature/technology, center/periphery, tradition/future—replacing them with mechanisms of translation, continuity, and situated knowledge, resisting global standardization and affirming the sovereignty of the local and the relational; between architecture, writing, sound, and curatorial practice, his work operates as a laboratory of applied thought, a site for imagining more just, sustainable, and conscious life forms, where authorship dissolves in favor of collective processes of learning and repair, and where art is not a final form but a living method for redesigning how we inhabit the world. (Lloveras, A. 2010–2025) antolloveras.blogspot.com
