Anto Lloveras is a Madrid‑based architect, artist and curator known for his work at the intersection of contemporary art, architecture, urbanism and relational practice; he is credited as the main curator of the LAPIEZA International Art Series, a relational art agency in Madrid that has produced a significant body of exhibitions and has promoted conceptual and relational installation practices within Socioplastics, an approach emphasising unstable relational installations and networked memory in gallery contexts Lloveras trained as an architect and has been active internationally, working in contexts including London, Mexico City and beyond, and has been associated with hybrid art and architecture series such as Unstable Installation Series where interventions traverse urban and gallery space and activate works as mobile or relational sculptures LAPIEZA, founded in Madrid, frames exhibitions through a relational axis between artists and audiences, emphasising generative, open‑ended processes rather than fixed objects, and has been described as operating “within the framework of relational art” with a focus on online dissemination, symbiotic artistic language and a networked approach to creation and exhibition Lloveras’ videographic practice is documented as extensive, with records indicating he produced hundreds of videos as ongoing art documentation, often described as “unstable documentaries” and presented in contexts such as the Copos series and other film‑based projects across cities including Madrid, London and Copenhagen Independent sources also identify Lloveras as curator and artist working across Madrid and Mexico City, where he has curated exhibitions and collaborated with artist‑run spaces and festivals, with activity documented on relational art platforms and catalogues of past shows His practice foregrounds nomadic and portable architectures, ephemeral structures and relational materiality, where objects and installations serve as catalysts for encounter and situated experience rather than static forms, an approach resonating with broader Socioplastic concerns with mobility and situated action Rather than positioning fixed narratives or rigid disciplinary boundaries, Lloveras’ work and curatorial model emphasise open‑ended relationality, mobility and the ongoing negotiation of space and memory as lived processes.
Systemic Urbanism and Topolexical Sovereignty
Within Anto Lloveras' Socioplastics, topolexical sovereignty merges epistemic architecture with the "will to architecture" into an operational mesh. Guided by Wittgensteinian logic, the hyperplastic manifesto activates metabolic networks and durational praxis, redefining the urban palimpsest through an ecology of thought that integrates spatial justice and collective agency. Links:
Relational and Affective Architecture
Relational semionautics within multilocal topologies intertwines urban taxidermy with social sculpture. Operating under "shaded urbanism," a living archive of critical infrastructure sustains autopoietic sovereignty. The architecture of affection and socioplastic memory fuse with sonic ecology and nomadic urbanism to envision the temporal ecologies of future cities. Links:
Pedagogy as Durational Praxis
Mesh metabolism drives the ecological transition and feminist urbanism via socioplastic epistemic nodes. By integrating visual arts with urban anthropology and transdisciplinary research, systemic design converges with critical geography. This framework reclaims the public realm through participatory design, radical pedagogy, and urban regeneration. Links:
Conceptual Art in Urban Ecologies
Hyperplastic topologies of systemic sovereignty activate social innovation and digital humanities within the context of smart/green cities. Architecture theory and critical design converge with collaborative practices and collective creativity. This synthesis reclaims memory and memory-making, fostering alternative education and urban sustainability. Links:
