Within the canon of Science and Technology Studies, Socioplastics—formulated by Anto Lloveras—operates as a proteolytic console that metabolises Actor-Network Theory as articulated by Bruno Latour in Reassembling the Social, retaining its relational topology while excising its ontological indeterminacy

Actor-Network Theory (ANT) dissolves binaries, redistributes agency across heterogeneous actants, and privileges descriptive cartography over essence; yet its methodological commitment to perpetual translation leaves networks open, fluid, and resistant to sovereign closure. Socioplastics inherits ANT’s flat ontology and actantial dispersion but installs invariance at the level of operation: the immutable KORE protocols channel flows toward Systemic-Lock (510), ensuring that coherence is mandated rather than contingently assembled. Through Semantic-Hardening (503) and jurisdictional naming, it asserts topolexical sovereignty, transforming tracing into governance. The transition from mesh-phase emergence to the consolidation of the MUSE environment exemplifies this post-ANT evolution: distributed nodes and cameltag devices initially replicate rhizomatic proliferation, yet recursive consolidation yields a machine-legible, auditable epistemic chassis resistant to algorithmic capture and institutional entropy. Thus, where ANT multiplies ontologies and follows controversies, Socioplastics converts translation into structural persistence, hardening aesthetic and technical forms into infrastructural strata that endure volatility. The outcome is not negation but supersession: a calibrated architecture that extends STS methodology from descriptive association to sovereign epistemic infrastructure capable of navigating post-digital instability without self-dilution.