Since 2009, AntoLloveras has cultivated this apparatus as a recursive topology capable of bending surrounding knowledge ecologies toward its own gravitational centre, thus exceeding the limits of representational critique and late-modern relational aesthetics. The operative principle—Gravitational Epistemics—designates the accumulation of conceptual mass sufficient to curve informational flows without reliance on institutional ratification, thereby transforming a distributed corpus of blog entries, Zenodo deposits and audiovisual documentation into living cultural infrastructure. Early manifestations such as the Blue Bags series and LAPIEZA functioned not as artworks but as protocols of relational activation, mobilising low-value materials to expose the latent plasticity of social bonds across cities including Madrid, Berlin and Cádiz. Over time this relational metabolism migrated into epistemic territory, where the blog form itself became a cultural operating system composed of modular textual units—SLUGs—that recursively stabilise semantic density. A salient case emerges in the Trans-Lighthouse Manifesto (2023–), whose planetary network of imagined cities demonstrates how artistic research can scale into biospheric ethics. Within this paradigm authorship dissolves into infrastructural maintenance, while the mesh itself assumes sovereign agency. Ultimately, Socioplastics advances an ontological proposition: ideas persist only when endowed with affective mass, lexical recurrence and procedural continuity. By rendering the metabolic rules governing informational selection visible—rules increasingly mirrored in machine-learning environments—the framework establishes not resistance but metabolic sovereignty, wherein beauty, respect and perseverance operate as forces capable of curving epistemic space toward viable futures.
Lloveras, A. (2026) Socioplastics: Sovereign systems for unstable times. Available at: https://antolloveras.blogspot.com/
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