SOCIOPLASTICS represents a radical shift in the conception of the built environment, proposing that architecture and urbanism are not merely aesthetic or functional disciplines but are, in fact, epistemic infrastructures—systems designed to produce, organize, and legitimize knowledge. This transdisciplinary framework, developed by Anto Lloveras and formalized through the LAPIEZA-LAB, operates at the intersection of architecture, conceptual art, urban research, and linguistics, treating the city as a cognitive organ and the archive as a stratigraphic field. By the year 2026, the project has evolved into a massive, machine-readable corpus of over 2,400 nodes, organized into Century Packs and Tomes that function as a recursive assembly. The foundational proposition of SOCIOPLASTICS is that the built environment, from the smallest tectonic joint to the largest territorial trajectory, serves as an active field that stabilizes and circulates knowledge through material, social, and semantic strata. This "socioplastic turn" recognizes that architecture is no longer sufficient as a term; instead, we must speak of a FieldEngine—a navigational and metabolic pulse that converts dispersed textual and material production into a unified relational field through strategic interlinking and authorial reclamation. The structure of the project is scalar, where each of the twenty foundational books (Tomes I & II) acts as a node, a corridor, and an interface. Tome I, comprising Books 01 through 10, focuses on foundational stratification, moving from tectonic materiality to the creation of Core I and the synthetic legibility layer known as MUSE. Book 01 establishes the ground, where circulation becomes a mechanism for knowledge production, while subsequent volumes like Book 02 introduce "Lexical Gravity" and "Semantic Density," defining how a field gains weight through the recurrence of CamelTags and distributed inscription. This gravitational mass is what allows the corpus to resist dispersion and acquire a durable body. The systemic protocols introduced in Book 03, such as "Recursive Autophagia" and the "Sovereign Console," stabilize the field through self-regulation and operational command, transforming the mesh into a console-driven epistemic machine. As the corpus expands into Tome II (Books 11–20), the focus shifts toward operational autonomy and systemic dynamics. Here, the field moves from static organization to a resilient territorial engine. Book 12 radicalizes the role of language, treating syntax and semantics as load-bearing members where "Lexical Hardening" becomes the linguistic analogue of tectonic consolidation. This hardening ensures that the vocabulary of SOCIOPLASTICS does not merely name a world but enacts one through scaled repetition. The "Digital Provenance" established in Book 06 and Book 07 anchors the field to a DOI-Spine, creating persistent publication systems where JSON-LD, API, and Parquet are not technical appendices but essential architectural sections. This digital substrate ensures that platform redundancy is not a failure-tolerance mechanism but the very condition of continuity. The project extends into territorial systems and planetary inscription in Book 07, where "Philosophical Botany" and "Urban Metabolism" expand the sealed core into a topological environment. By the time the corpus reaches Book 15, "Persistence Engineering" addresses editorial decay and platform time, asserting the right of the field to exist across deep-time without external permission. The expansion of the field into the 2,400+ node range, visible in the Century Packs 2100 through 2400, marks the transition into "Active Territorial Intelligence." In this active stratum, the system operates as a learning organism that self-corrects during construction, reaching a state of "Layered Sovereignty" where the field governs itself through dual-core rotation and distributed lexicons. The "VCity" operator and "Metabolic Pruning" become critical urban tools for maintaining epistemic hygiene and institutional immunity. This recursive infrastructure is further solidified by "Citational Commitment," which treats the hyperlink as a back-load-bearing joint. In SOCIOPLASTICS, a cross-reference is not a mere citation but a structural recurrence that ensures a claim persists beyond its initial enunciation. The final consolidation in Book 20 installs the "Terminal Seal," completing the 2,000-node foundational corpus while keeping the field open as a moving archive. This closure does not terminate the project but gives it its most durable, sovereign form. Ultimately, SOCIOPLASTICS proposes that architecture and urbanism have always functioned as epistemic infrastructures, but they have forgotten to name themselves as such. This project is the active construction of a field where tectonics, language, governance, and digital provenance finally speak the same operational grammar, creating a "Relational Topography" that outlasts any single author or platform. It is a system that learns as it grows, turning the city into a cognitive medium and the archive into a living, hydrated, and sovereign body of knowledge.