POSITIONAL ESSAYS_____________________________________ENSAYOS POSICIONALES ///////////////////// CUERPOS FILMADOS __________2008 2018_________________________FIRST DECADE

PEOPLE AT WORK

BUILDING THE RELATIONAL ART SERIES

SOCIAL SCULPTURE | ACTIVE SOCIOPLASTICS | ONLINE META FILM

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TOMOTO FILMS | LAPIEZA ART SERIES | LLLL ART AGENCY

FILMADOS

> 2008 | 2018

CÉSAR MARÍNEZ SILVA - ANTROPOFAGIA GOURMET - LA GLORIA
ALBERTO ACINAS - HACINAMIENTOS MEX DF
OMAR JEREZ - JEW WALK
HECTRUSO - MINIROC - ACCIÓN SALINAS DE ALMERÍA
LINEAS ALBIÉS - CARGAS IMPOSIBLES - MEX DF HCIA LA MERCED
ANTONI MIRALDA - PEEL OFF
GIUSEPPE ZAMORA - DOMATRICE - CAMAROTE 2008
FREDRIK LUND - THEWOODWAY - TRONDGEIM 2008
MANUEL MAQUEDA - HOTEL VIRREYES - MEXICO DF 2003
CARLOS LLAVATA - ESCULTURA - CONDE DUQUE MADRID
REMEDIOS ZAFRA - CREP - SUJETOS CONECTADOS
JONAY PMATOS - CINTAS - ACCIÓN PALAMACENTRAL - SINERGIA LAPIEZA

DUQUENDE - CASA PATAS - CANTAOR
MIGUEL EL RUBIO - CASA PATAS - CANTAOR
MANUEL MOLINA - CASA PATAS - CANTAOR
MISTER - BASURAMA - RUS MIAMI 2008
JUAN LÓPEZ ARANGUREN - MILAN ON WHEELS - 2011
BEN CASTRO - BASURAMA RUS SANTO DOMINGO - 2011
RUBÉN LORENZO - MINI INSTALACIÓN POST BOTELLÓN - LAPIEZA
MANUEL POLANCO - LAPIEZA FACHADA CASSIOPEA
FREDRIK SHETLIG - THEWOODWAY 2008 - FRESH STUDENTS
TONY FRETTON - THEWOODWAY - NTNU CRITICS
CARLOS MÍNGUEZ - LAPIEZA A FUEGO - 2010
JESÚS ANDRÉS - LAPIEZA SAMSA NO ES UNA PIPA - ACCIÓN

IÑAKI ÁBALOS - TOTUM REVOLUTUM - CONGRESO ARQUITECTOS 2009
JUAN GRACÍA PERROTE - EXPOSE YOURSELF
LUIS DIAS - BUFEO 2009 - CASA DE LIMBER VILORIO
RUBÉN BONET - TERRAZA LA ROMA - MEX DF 2013
TOMOHARU PEÑA - SAXO DINÁMICO - ACCIÓN EN LA INSTALACIÓN
ALFONSINA RAMÍREZ - BUZONES - INERVENCIÓN
ANAMUSMA - A DAY OF WORK - NATURALISMO
ZAIDA MUXÍ - SOMOS FRÁGILES - BARCELONA
LUIS FERNÁNDEZ GALIANO - CONGRESO ARQUITECTOS - 2009
CHLOE - TODOS LOS CALLEJONES - LAPIEZA
SEBAS BEYRO - PLAYMOS DEAD - FACHADA LAPIEZA
BELÉN LÓPEZ - BAILAORA - CASA PATAS

LUIS FORES - APATRIDIAS - ACCIÓN MADRID
LIMBER VILORIO - CARTOGRAFÍAS DEL PODER - EXPO
SERGIO FERNÁNDEZ - SKY - ESTÁS PESCADO
PAULA LLOVERAS - PAN - ACCIÓN - LAPIEZA
MARÍA ENRÍQUEZ - CARAS CDS EL INTRUSO LAPIEZA
JONAS MEKAS - MEXICO 2013 - FILMOTECA NACIONAL
KIRA O REILLY - PERFORMANCE - SEMINARIO
DAVID HARVEY - BEING LOST - MUSEO REINA SOFÍA  - MADRID
PEPE BALLESTEROS - LA BUENA OCASIÓN 
KRAPOOLA - LA CASA - MADRID 2010 
JOSEP SELGA - EL ARBOLADO DIARIO
HUSH HUSH - SHOW EN EL NASTI

JOSE ANTONIO CORRALIZA - PSICOLOGÍA AMBIENTAL HOY - INTRO

NIKO - STICKERS 

BARULLO - CASA PATAS

TOMEU VIDAL - ARED AMBIENTAL BARCELONA

AJO MICROPOETISA - NUDO TEATRO 

PEDRO LÓPEZ - SEGURA DE LA SIERRA - JAÉN

PERU SAIZPREZ - HIPERVERSOS - 2009

JAVI GUZMÁN - HYPNOTIC BASS - EL INTRUSO PREPARA LACALLE 

PABLO SCHUGURENSKY - EL OFICIO - BUSTARVIEJO 2009

YAKY BONACIC DORIC - HÉROES - MADRID

ESTHER REVUELTA - MADRID

MANUEL MONTESERÍN CON MARÍA MALLO - LAPIEZA 2009

CLAUDIA FACI - AUTOROC - ACCIÓN PERFOPOÉICA

RAQUEL MORENO - VESTIDO MANIBRA - LAPIEZA 2010

JUAN BARTE - ART MEETS FASHION - LAPIEZA

JOSÉ SÁINZ - COHETE - ESCULTURA

JUAN RAMÍREZ - BAILAOR - CASA PATAS

DANIEL DIXON - AUTUMNALIA - CAMPOS SONOROS

JUAN ANDRÉS MAYA - BAILAOR 

MIGUEL GUZMÁN PASTOR - IMPROVISACIÓN - LAPIEZA 

ÁNGELA LEÓN - PLANTAS EN LA FACHADA

ALFONSO GARCÍA DEL REY - POP POCORN - LAPIEZA ART SERIES

ÁNGELA SÍNTESIS GANDOOLA AND KRAPOOLA - CERTAIN PEOPLE BERLIN

EL INTRUSO - DINÁMICA SONORA - SEVILLA 2010

POL PARRHESIA - ALAMBRE - MARAÑA, INSTALACIÓN

LUNA MIGUEL - POETRY IS NOT DEAD - POÉTICA

TOÑO CAMUÑAS - EL SOL SALE PARA TODOS - MURALES

ELISE PLAIN - SUGAR RAIN - NOW AND HOW

FEDE GÓMEZ - RAÍCES ÉREAS - EL BOSQUE OCULTO - INSTALACIÓN

SINQUENZA - EXOTIC SHADOWS - ACCIÓN EN FACHADA

PABLO REY - VALDELUZ - CIUDAD FANTASMA

YAN NAZCA - ROBÉ FLORES DEL PARQUE PARA TÍ

ANA MATEY - SEIS MESES

REGINA FIZ - VALIE ABRAMOVIC REGINA - PERFORMANCE

TAKA FERNÁNDEZ - SANTA MARÍA LA RIBERA

MARISA CAMINOS - PUNTO DE FUGA

MIZ METRO - UNLIMITED MADRID

ENRIC POL - APROPIACIÓN DEL ESPACIO

PACO NOGALES - LA BUENA MARÍA

MARIA LUISA ORTEGA - CUERPOS FILMADOS Y FILMANTES

MAITE DONO - NUBE 

PAUL DOEMAN - AK 47

YANIRA CASTRO - POST PINK FOOT

LUIS GARCÍA GIL - NEGRURAS

SABINE FELDEN - SITUACIÓN HERZ

GEMA SEGURA - LAPIEZA

FRANCOISE ROHMER - TOURVES FRANCE

DANINO BOZIC - PULA

AGUSTÍN HERNÁNDEZ AJA - ETSAM

DON SIMÓN Y TELEFUNKEN - ESCENA CONTEMPORÁNEA

ORQUESTA PRIMERA LUZ DE DÍA - FIESTAS DEL 2 DE MAYO

ÁNGELA CATRECINI - BARCELONA

SAM - ACCIÓN CON HECTRUSO EN TABACALERA

PÉREZ DE LAMA - CONGRESO DE ARQUITECTOS 2009

BALDO MARTÍNEZ - SONS NÚS CN MAITE DONO EN LAPIEZA

MERILÚ - BOLSA DE ARENA

FERNANDO BRONCANO - CREP

MENINAS CARTONERAS - MICRONOPIA

LA TRUCO - CASA PATAS - BAILAORA

SALVADOR RUEDA - 2009 CURSO DE HUMANIDADES UAM

MARA BERKHOUT - TALLER DE CICLOS CON BASURAMA

DANIEL MARTÍN BAYÓN - SEMINARIO ESTRATÉGICO CREP

REMEDIOS HEREDIA - BAILAORA - CASA PATAS

ANA ROMERO - CREP - CSIC

PEDRO SÁNCHEZ - CREP

JAVIER MOSCOSO - CREP - CSIC

PACO DEL POZO Y CONCHA JAREÑO - CASA PATAS

JESÚS VEGA - CREP - ARTEFACTOS

CAROLINA Y SERGIO -  LOVE LOVE - WEDDING MADRID

GALIA EIBENSCHUTZ + MARTÍN LANZ LANDÁZURI -  MEXICO DF 2013

JUAN CALVI - MUSAC LEÓN

MARÍA LA CONEJA - CASTAÑUELAS - CASA PATAS

THEWOODWAY

THEWOODWAY, a 14-part video series documenting a pedagogical architecture experiment in Norway (NTNU, 2008), reveals the power of collaborative construction as both educational strategy and spatial research. The project involved eighty first-year architecture students building a one-to-one wooden superstructure, generating eighteen distinct spatial concepts under the guidance of faculty and professionals. Filmed and edited as short episodic reflections, the series frames architecture not as static output but as a processual practice, grounded in participation, negotiation, and continuous interpretation. Across episodes like Smell, Light Organ, and Your Own Way, architecture is approached through the senses, embracing contingency and atmosphere over determinism. The pedagogical framework echoes design-build traditions but expands their scope, embedding critical awareness and improvisational agency within each stage of construction. The series shifts between the tactile, the choreographic, and the sonic, highlighting how material manipulation fosters collective authorship. Far from a didactic exercise, it unfolds as a socially situated inquiry, inviting students to learn through embodiment, error, and dialogue. The presence of artists, critics, and musicians—among them Tony Fretton and El Intruso—underscores the transdisciplinary ethos of the work. As an audiovisual artifact, THEWOODWAY functions simultaneously as documentation, methodology, and experimental film, compressing time and layering voices to reveal an architecture of relations rather than forms. It refuses to monumentalise the final structure, privileging instead the ephemeral choreography of making—the gestures, debates, improvisations, and communal decisions that produce space as a lived phenomenon. The project demonstrates how architecture, when decoupled from productivist imperatives, can become a collective poetics of construction, resonating with pedagogies that value action over representation and experience over abstraction.

ON THE ADVENTURE OF LEARNING :

BY BUILDING A ONE TO ONE MODEL

AT THE FACULTY OF ARCHITECTURE               IN NORWAY

VIDEO SERIES 

NTNU TRONDHEIM NORWAY 

https://www.youtube.com/playlist?list=PL6B9AAED09F3AAF20

A PRODUCTION BY LLOVERAS / TOMOTO FILMS / PROFESSOR LUND

RUS MIAMI 2008 TRASH MACHINES

CLIPS

https://www.youtube.com/playlist?list=PLF9095ACF1E98167F

Action and Collaboration. On how to document and amplify the performative dimension of projects such as RUS Miami. Their role was not limited to passive recording; instead, they produced dynamic audiovisual actions that translated ephemeral events, street interventions, and collective experiments into a cinematic language. By following Basurama’s dérives through scrapyards, neighborhoods, and improvised installations, Tomoto Films shaped a critical narrative that extended the reach of the projects beyond their immediate contexts. The films are both documentation and artwork: editing, framing, and montage created a rhythm that mirrored the energy of Basurama’s practice, emphasizing chaos, humor, and the aesthetics of waste. In this sense, Tomoto Films functioned as a collaborator in meaning-making, transforming actions into cultural memory and proposing video as an active participant in social practice rather than as a secondary archive. This collaboration exemplifies how independent cinema and contemporary art can merge in site-specific, process-based initiatives. The synergy between Basurama’s critical urbanism and Tomoto’s agile filmmaking created a hybrid field where the city itself became both stage and protagonist.

https://www.basurama.org/b08_rus_miami_opening.htm

http://www.miamiartguide.com/rus-miami/