Rather than operating within the conventional binaries of art versus architecture or object versus action, Socioplastics functions as a relational methodology: a way of thinking-through-space where form is provisional and agency is distributed. This approach aligns the practice with post-anthropocentric discourses in contemporary art and architecture, particularly those concerned with new materialism, decolonial epistemologies, and spatial justice. The emphasis on MESH—as both conceptual framework and operative condition—signals a refusal of linear authorship in favour of entangled systems where bodies, materials, atmospheres, and infrastructures co-produce meaning. In this sense, Socioplastics does not represent social realities but intervenes in them, activating latent tensions already present within urban palimpsests and institutional architectures.
