The Light Social Sculpture Series (2015–2025) marks a profound departure from the static monumentalism of the twentieth century, pivoting instead toward a "translatoria" of lived experience. Central to this decade-long inquiry is the concept of the "situational fixer"—a monochromatic, portable intervention that functions as both an aesthetic signifier and a utilitarian vessel. Drawing upon the peripatetic legacies of Daniel Buren and the unauthorized disruptions of André Cadere, the series refines the role of the artist from a creator of objects to a navigator of contexts. These sculptures, often manifesting as vibrant yellow or blue bags, act as satellites of the artist’s own corporeal presence, navigating the "invisible-visible" friction of the urban fabric.
